I’ve been going to Soho for a number of years now. For various reasons it has always appealed; it’s filled with character, its cinema and bookshops are still staggeringly good, and it has without question the best pubs in London. Now living in London, it seems that my previous visits from the north had spaced out my perception of an increasing disintegration of the area … Continue reading Short Film: The Economy of the Dead
“Once upon a time, I, Zhuangzi, dreamt I was a butterfly, fluttering hither and thither, to all intents and purposes a butterfly. I was conscious only of my happiness as a butterfly, unaware that I was Zhuangzi.” Looking at Eileen Agar’s Butterfly Bride (1938) is to look into the dreams of insects. Or perhaps these are our dreams of insects, where our waking moments are … Continue reading Responses: Eileen Agar’s Butterfly Bride (1938)
‘The notion that one day the red dawn will indeed break over Clapham,’ wrote Angela Carter in a letter to Lorna Sage, ‘is the one thing that keeps me going.’ From having read several of Carter’s works over the years, all of which have had a variety of profound effects upon my own writing, her relationship to London has since intrigued me. When first on the train down … Continue reading Wanders: Angela Carter’s House
This November sees the 50th anniversary of one of Hammer Studios’ strongest and most complex films: Roy Ward Baker’s Nigel Kneale adaptation, Quatermass And The Pit (1967). Sometimes known under the title of Five Million Years To Earth, the film takes Kneale’s BBC script from the original broadcast serial and turns it into something far more unnerving than the other films produced by the studio in … Continue reading Quatermass And The Pit (1967) @ 50
Above is Greenteeth, my film adaptation of the short story by Gary Budden which can be read in his upcoming volume of short stories. It is currently up for a fantasy award and follows the pressures on a young woman in a struggling part of north London whose social worries begin manifest in more folkloric ways through the legend of Jenny Greenteeth. The film came … Continue reading Short Film – Greenteeth
Few events take place in the countryside as brutal as fox hunting. It is one that highlights the class divisions still present in this country, far more powerfully than most other country pursuits. Aside from obvious power on display by those who still, quite illegally, partake in it, even before its ban in 2004 it had become a symbol of the ultimate violence of the … Continue reading Fox Hunting in Wyrd Landscape Cinema
On a rock, there sits a man lost in thought. Or perhaps he is not thinking at all and is instead letting the landscape around him fill his thoughts unconsciously. Werner Herzog’s 1976 film, Heart of Glass (Herz aus Glas), has one of the director’s strongest opening set of images as the main character of the film sits in a foggy Bavarian landscape with life … Continue reading Heart Of Glass (1976) – Optimism in Destruction
A naked man lies on a Dorset hill whilst another is painting him, quickly. Eric Ravilious is on a fleeting trip to just north of Dorchester and the war, already broken out, is on his mind. He paints the man, the land around and the humanity of the hills, quickly. The man is the Cerne Abbas Giant, a mysterious earthwork of a primitive man with … Continue reading Responses: Eric Ravilious’ Cerne Abbas Giant (1939)
For a recent symposium on Hauntology, I gave a paper on the links between the philosophy of hauntological ideas with the work and W.G. Sebald. The subject had been interesting me for a while, not least because the jump between the style of the former and the thematic ideas of the latter are the amalgamation that I’m currently aiming for in my own fiction writing. … Continue reading Interview: Grant Gee + James Leyland Kirby (The Caretaker) on W.G. Sebald + Hauntology
Celluloid Wicker Man 