Memory and Disintegration in the work of W.G. Sebald and The Caretaker

This paper was delivered at the Resonant Edge Hauntology Symposium on the 15/06/2017. Full interviews with Grant Gee and James Leyland Kirby will be published later this summer. My talk today is about two specific forms: the writing of W.G. Sebald and the musical work of The Caretaker.  My aim is to show the links … Continue reading Memory and Disintegration in the work of W.G. Sebald and The Caretaker

Dérives: Longplayer (New Cross to Trinity Buoy Wharf)

“Witness, for instance, the establishment of settled ‘alternative’ or ‘independent’ cultural zones, which endlessly repeat older gestures of rebellion and contestation as if for the first time." - Mark Fisher The Longplayer walk ghosts a route to be taken on the 21st of June for a day long walked festival of arts in celebration of … Continue reading Dérives: Longplayer (New Cross to Trinity Buoy Wharf)

Blowup (1966) and the Deleuzian Breeze in the Trees

If I was asked to suggest a particular sound that defined London through its cinema, it would not be the bustling noise of traffic or an iconic piece of soundtrack music; it would, in fact, be the very simple but endlessly mysterious sound of the wind rustling through the trees in Michelangelo Antonioni’s Blowup (1966).  … Continue reading Blowup (1966) and the Deleuzian Breeze in the Trees

Doomwatch, J.G. Ballard and High-Rise

Having recently finished all of the remaining episodes of the early 1970s BBC series, Doomwatch, I had the strange feeling that I had slipped into a parallel world; one where the BBC had worked closely with the writer, J.G. Ballard, to make a series that addressed his themes.  Though the series largely resembles Ballard's earlier … Continue reading Doomwatch, J.G. Ballard and High-Rise