The following is a transcript of the paper delivered at the Child Be Strange Conference at the British Film Institute, 10/06/2017 I want discuss Penda’s Fen today in a context which, for many, is now taken for granted but which is also not entirely agreed upon: the genre that the play sits within. That genre context … Continue reading A Sacred Demon Of Ungovernableness: Penda’s Fen (1974) and Folk Horror
35mm photographs by Andrew Bartram and The Neptune Project Risley Moss is a wildlife reserve in Warrington famed particularly for its array of insects. It is a reserve dominated by various dragonflies which buzz in the air, bullying many insects from the territory; an echo from a Jurassic past. I was taken there when younger on … Continue reading Fictions: The Horsefly
As typical when finishing a book that attempts to build a canon, as I have tried to do with Folk Horror, the signalling of its publishing means a whole host of new potential examples surface and come to light. Though there were things in the Folk Horror book that I simply left out by sheer … Continue reading Folk Horror Curios
At the time of writing this, my book on Folk Horror is a few weeks away from being printed. By the time you read this, however, it should be available to buy. I've written about the detail of the book earlier when it was due to be published late last year. However, I wanted to … Continue reading Folk Horror: Hours Dreadful and Things Strange
Orford Ness is a spit of land on the Suffolk coastline. Most reports surrounding the military testing and research facility that resided on its shores have been classified, in part due to the research conducted in the Ness laboratories surrounding the firing mechanisms of nuclear weapons, and in part due to the research into radar … Continue reading Fictions: Merman Syndrome
Late last year, I became obsessed with visiting a certain item in the British Museum. Deliberately choosing to work in or near Bloomsbury, I would often wander into the building in between working, making my way straight to one of the room's (on the right of the building) with a confidence and determination that clearly … Continue reading Responses: John Dee’s Obsidian Mirror
As recently announced, I have a book being released in January all about Folk Horror and its many related areas of interest. The book has been in the works for the last year or so though many of the arguments within have been growing now for several years. Though I'll undoubtedly being doing the usual … Continue reading Folk Horror: Hours Dreadful and Things Strange (January, 2017)
I first encountered the work of Tessa Farmer during a rainy daydream in Saatchi Gallery a few years back. It was a strange experience as, staring at her Swarm (2004) piece, it took a while to pinpoint exactly what was unnerving about the work. The discovery of a micro-agency controlling the taxidermic happenings in the … Continue reading Responses: Tessa Farmer’s La Chasse (2016)
I have been lucky enough to have this year's Halloween film, No Diggin' Here - a film about M.R. James, Aldeburgh and A Warning To The Curious - premiered on the BFI's website. It was a Halloween treat that, until I saw it happen in full, I didn't quite believe, but I count myself incredibly … Continue reading Short Film – No Diggin’ Here.
This presentation was originally given at the Folk Horror Revival day at The British Museum (16/02/2016). My thanks to the fellow admins of the Folk Horror Revival, especially Jim Peters and Andy Paciorek. There's an overt connection between analogue technology and the narratives surrounding paranormal activity in British horror, especially when made during the 1970s. … Continue reading The Ghost In The Grain – Folk Horror Revival @ The British Museum (16/10/2016).