Politics of Sequence in Code Unknown (2000, Michael Haneke)

Even before the recent events that occurred in Charlottesville, a certain scene from Michael Haneke's 2000 film, Code Unknown (Code Inconnu), had been repeatedly playing on a loop in my mind's eye.  I quietly admitted to myself recently that the scene in question is without a doubt the most telling and poignant dramatic escalation I … Continue reading Politics of Sequence in Code Unknown (2000, Michael Haneke)

Blowup (1966) and the Deleuzian Breeze in the Trees

If I was asked to suggest a particular sound that defined London through its cinema, it would not be the bustling noise of traffic or an iconic piece of soundtrack music; it would, in fact, be the very simple but endlessly mysterious sound of the wind rustling through the trees in Michelangelo Antonioni’s Blowup (1966).  … Continue reading Blowup (1966) and the Deleuzian Breeze in the Trees

Doomwatch, J.G. Ballard and High-Rise

Having recently finished all of the remaining episodes of the early 1970s BBC series, Doomwatch, I had the strange feeling that I had slipped into a parallel world; one where the BBC had worked closely with the writer, J.G. Ballard, to make a series that addressed his themes.  Though the series largely resembles Ballard's earlier … Continue reading Doomwatch, J.G. Ballard and High-Rise

Contentment and Chris Marker’s Chat écoutant la musique (1988)

I remember before I first watched Ben Rivers' Two Years At Sea (2011) that a certain review quote about the film caught my eye.  It was suggested by a Time Out reviewer that Rivers' film was "A rare thing in cinema: a vision of true happiness".  At the time, this idea framed my viewing of … Continue reading Contentment and Chris Marker’s Chat écoutant la musique (1988)

Sex and the Landscape in Zabriskie Point (1970) and The Last Movie (1971)

"Once I loved a man who was a lot like the desert, and before that I loved the desert." - Rebecca Solnit (2006). Late last year, I quite accidently combined the viewing of two films that spoke of a theme I have become interested in over the last few months.  Viewing Michelangelo Antonioni's Zabriskie Point … Continue reading Sex and the Landscape in Zabriskie Point (1970) and The Last Movie (1971)

Folk Horror: Hours Dreadful and Things Strange (January, 2017)

As recently announced, I have a book being released in January all about Folk Horror and its many related areas of interest.  The book has been in the works for the last year or so though many of the arguments within have been growing now for several years.  Though I'll undoubtedly being doing the usual … Continue reading Folk Horror: Hours Dreadful and Things Strange (January, 2017)