When Georges Perec was 11, he decided to wander. In fact, escape is perhaps a better description; a jailbreak from his aunt’s house on Rue de l’Assomption. He wandered Paris with who knows what planned. It was such a defining experience for the writer that he later composed a text surrounding the feeling of release and the places he encountered on this lost meander called … Continue reading Georges Perec Escapes
I’m very happy to say that my first fiction book has been taken by the wonderful guys at Influx Press. Mothlight is due to be released on the 7th of February 2019. I’ve spoken publically a few times about this book in the earlier stages of its writing and editing under its original title of “A Hauntography” but, with its new name (a nod towards … Continue reading Mothlight (Influx Press, 2019)
Not long before I had my VIVA exam for my PhD, I went for a wander around Deptford, making the most of my time in the area since I was rarely there for things besides supervisor meetings. I’ve walked around Deptford quite a bit in spite of this, not least because its market is still one of the best I’ve found in London and which, … Continue reading Wanders: Marlowe in Deptford
When recently reading Gertrude Stein’s famous poem Sacred Emily (1913), later published in Geography and Plays (1922) and famed for its sequence of “A rose is a rose is a rose…”, I was not thinking about a rose. Instead of a rose, I was in fact thinking of an owl. Before reading anything by Gertrude Stein, I had watched copious amounts of films by Chris … Continue reading Gertrude Stein’s Rose and Chris Marker’s Owl
Marguerite Duras was never keen on giving cinema an easy time. Adapting her own stories into feature films, it seems that the writer, rather than compromise the unusual qualities of her books, experimented and destabilised the narrative aspects of film form to suit her needs instead. Like her contemporary, Alain Robbe-Grillet, Duras made many attempts to transplant the elements of voice from her literary work … Continue reading The Temporal Disruptions of Marguerite Duras
A few years ago, I was sat on a couch in Strasbourg reading essays by Teju Cole from the volume Known And Strange Things. It was night and I was alone, glancing up occasionally, as I often did when in my ex-partner’s flat, to stare at the city’s famous cathedral lit up at night. I was at the point of the book when Cole begins to … Continue reading Phantom Coincidence in W.G. Sebald’s “Remembered Triptych…”
In 1965, Thomas Bernhard bought a house. It was bought roughly between the writing of several works, including Watten (1964) and his second novel Gargoyles (1967). The house is not really house in the ordinary sense, but a collection of farm houses known in German as Vierkanthof. The set of buildings is adjacent to the road of Obernathal in Ohlsdorf near the river Traun which winds down the valleys into … Continue reading Memorial Dungeons: In Thomas Bernhard’s House
What can Georges Perec see out of the window? He’s sat as usual in Café de la Mairie, 8 Place Saint-Sulpice in the 6th arrondissment, hunched at his favourite single table by the window. More importantly, he’s looking outside. Life in the Latin Quarter is passing by outside as always; it never really stops, merely lulls. On his small, plastic coated table, he has a … Continue reading A Wander With Georges Perec
Throughout 2017, I have continued with the responses form of article to works of art and other miscellanea. Like last year, I found that a more interesting way to assess a piece of work was to not simply write an essay but to pair it with a poem; condensing the essence of the reading down into a basic selection of key notes, reactions and atmospheres. … Continue reading Responses: Poems On Landscape And Melancholy (Volume 2)
Like last year, I have tried to keep up with enough new releases to eventually have something say at the end of the year. And exactly like last year, I have virtually failed to see ten new releases that I’ve actually enjoyed. I quietly accepted once again that, with some notable exceptions, new digital films are not especially for me and require a huge crossover … Continue reading 2017 Review
Celluloid Wicker Man 