Having already written about the Weather Words film for Caught By The River (link here), I won’t add much more about the project. For more specific details, read that piece. It’s the first and probably only film project of mine in 2018, partly due to funding problems and partly due to other big projects taking time (finishing my PhD, editing first novel, drafting second, selling … Continue reading Short Film – Weather Words (Colin Riley feat. Robert Macfarlane)
I’ve written extensively about Derek Jarman’s short super-8 film, Journey To Avebury; one of his earliest experiments in film that channels so much of the genii loci of English landscapes, ubiquitous in the more interesting of English arts. His walk through the Wiltshire landscape after the intense stint of work on the sets for Ken Russell’s The Devils (1971) seems to have had a larger … Continue reading Responses: Derek Jarman’s Landscape Paintings
The Menhir Motorway is the first film of 2016 and it should set the tone for the rest of the year’s projects. Having filmed in late December, a mere few days before Christmas in the freezing edge-lands of Wallasey on The Wirral with the help of my girlfriend, Lauren (who took all of the proceeding digital photos of the shoot), the film has been gently … Continue reading Short Film – The Menhir Motorway.
Above is a showreel built from footage I’ve shot over the last twelve months. Compared to last year’s showreel, this one feels far more defined and less haphazard with the visual ideas I want to play with. Gone are the mixtures of stop-motion, digital and film, instead replaced entirely by different stocks of super-8 footage. This year has felt like a much more defined trajectory … Continue reading Showreel 2015.
It feels odd to finally be able to say that Holloway is finished. This oddness derives not just from the fact that it has been the longest planned film that I’ve produced so far (starting all the way back from Robert Macfarlane’s first email to me in February 2014) but because the subject of the film itself is never-ending. The holloways of Dorset do not … Continue reading Short Film – Holloway (Robert Macfarlane).
Forever a cinematic alchemist – a sage that conjured and devoured celluloid before the eventual ritualistic sacrifice- Derek Jarman is the perfect suitor to Shakespeare’s The Tempest (1979); a play whose heart is bathed in the tragedy and power of magic. Of course Jarman isn’t the only person from the Brit-pack of avant-garde directors to remould the work but his is the most natural. Peter … Continue reading Alchemical Magic in Derek Jarman’s The Tempest (1979).
Above is the trailer for the film that I have been working on with Robert Macfarlane. Only recently, upon reading a Wikipedia entry no less, did I discover that it is an adaptation of a “Sunday Times best-seller”. Perhaps it is best to ignore the pressure of this in spite of the article actually putting my name to the project. As the edit progresses, Holloway … Continue reading Trailer – Holloway (Robert Macfarlane).
Out of all of Derek Jarman’s pre-feature length film work, his short capture of a 1971 walking trip, A Journey To Avebury, is perhaps his most interesting and subtly complex piece of short film work. These were the early days of Jarman’s experimentation when his work as a painter and even a set designer still seemed to dominate over his purely cinematic interests. This was … Continue reading Perception Of Landscape in A Journey To Avebury (1971) – Derek Jarman.
Synopsis. Artefacts (2014) is a short video piece shot on super 8 film. It captures the rural vistas around The Wirral which show hints of civilisation but fail to show the true presence of humanity. These rural areas are littered with man-made objects but the natural wilderness has won through, creating a sense of the uncanny and eerie in places almost haunted by their emptiness … Continue reading Short Film – Artefacts (Super 8 film).
The constructs that delineate a difference between short films and music videos has been fuelled by debate and value judgements by those after a perfect set of rules. Acclaimed director Derek Jarman didn’t seem too fussed about these connotations when creating his short films and music videos often blurring the line between the two and questioning whether the line even existed through explicit highlighting of … Continue reading Derek Jarman And The Music Video.