Responses: Andy Goldsworthy’s Ice Arch (1982)

Andy Goldsworthy’s work has a transience running  through its core. Such quiet transience is perhaps best expressed in his use of ice within sculpture. Though almost everything the artist does has a brief lifespan as a finished object, there are few that seem so precarious as his ice works, specifically the various ice arches that he laboured on throughout the 1980s. For this article, the … Continue reading Responses: Andy Goldsworthy’s Ice Arch (1982)

Short Film – A Walk By Waiting (Harold Pinter, Iain Sinclair).

My walk around Harold Pinter’s old haunts in the east end of London has produced a number of written accounts now that, with the film that sparked of the whole venture being finally public, I’m not quite sure what else to say about it.  The idea for the walk came about when I saw the, since frustratingly taken down, Harold Pinter Arena documentary which spent a … Continue reading Short Film – A Walk By Waiting (Harold Pinter, Iain Sinclair).

Poetics of Visual Space in Ian Nairn’s “Nairn Across Britain” (1972).

In the 1980’s introduction to the repeated BBC Ian Nairn series, Nairn Across Britain (1972), Jonathan Meades suggests that the series still managed to capture Nairn’s sense of poetics and character in spite of “the filming techniques seeming a bit dated, as nothing dates quite like the recent past”.  Though Meades is right in his effusing about Nairn’s character – an endlessly watchable, impassioned, melancholic … Continue reading Poetics of Visual Space in Ian Nairn’s “Nairn Across Britain” (1972).

Wanders: Thomas De Quincey’s Soho.

London, with its eternal agitations, the ceaseless ebb and flow of its “mighty heart” – De Quincey (1823). After one of the most hectic days of the year so far, I had some hours to kill in London before meeting a friend for an exhibition at the Royal Academy.  The day had been frantic, with large amounts of strangely powerful coffees being downed around New … Continue reading Wanders: Thomas De Quincey’s Soho.

Responses: John James Audubon’s Animals And Birds.

On a day where an unusually hazy rain persisted in a constant downfall, I took refuge in the redbrick building of the Victoria Museum and Gallery that lies at the top of Brownlow Hill.  The building sits in sharp contrast to the more medicinal university buildings which surround it, one being brutalist in its strange edges and institute sensibility, the other being passive-aggressive in its … Continue reading Responses: John James Audubon’s Animals And Birds.

Trailer – A Walk By Waiting (Pinter/Sinclair).

Above is the trailer for a very short fragment of film made in collaboration with the writer, Iain Sinclair.  Though I had been thinking about doing something with the poems of Harold Pinter for the some time, I had left it to stew away rather than properly organise it as with other, simpler films.  With initially failing to get in touch with Iain, I had … Continue reading Trailer – A Walk By Waiting (Pinter/Sinclair).

“Wyrd” Wirral – Spirits Of Place (02/04/2016)

This is an edited version of the paper given at Spirits Of Place in Calderstones Park, Liverpool 02/04/2016.  My thanks to John Reppion and Leah Moore for organising the event and for to the other excellent speakers (Gill Hoffs, David Southwell, Gary Budden, Kenneth Brophy, Richard Macdonald, Ian “Cat” Vincent and Ramsey Campbell).  Here’s to the next one. There is strange landmass on the opposite … Continue reading “Wyrd” Wirral – Spirits Of Place (02/04/2016)

Wanders: Student Flatopia (Liverpool)

It’s an oft-stated critique of Liverpool city centre in recent years that it’s become an increasingly oversized student campus as opposed to a city.  A number of local writers and commentators, including an excellent summation earlier in the year by Seven Streets, have mentioned the suspiciously sheer abundance of developments comprising purely of student accommodation within the centre though it has rarely been quantified as a reality if … Continue reading Wanders: Student Flatopia (Liverpool)

Responses: Henry Moore’s Sheep Sketchbook (1980)

Henry Moore enjoyed the grazing calmness of sheep. The animals stand out in the landscape in the same, oblique way as his own sculptures, simultaneously fitting in and seeming anomalous. They litter the vista in a way that is puzzling and warmly mysterious. Writer Roger Deakin recognised this relationship himself when walking the Rhinogs. He wrote of seeing that same relationship that sparked Moore’s fascination … Continue reading Responses: Henry Moore’s Sheep Sketchbook (1980)

Short Film – The Menhir Motorway.

The Menhir Motorway is the first film of 2016 and it should set the tone for the rest of the year’s projects.  Having filmed in late December, a mere few days before Christmas in the freezing edge-lands of Wallasey on The Wirral with the help of my girlfriend, Lauren (who took all of the proceeding digital photos of the shoot), the film has been gently … Continue reading Short Film – The Menhir Motorway.