Short Film – Ness (Robert Macfarlane and Stanley Donwood)

I’ve very happy to say that, after five years since the very first frame was shot, the film adaptation of Robert Macfarlane and Stanley Donwood’s Ness is finally finished. Started before the book was even written, the project has been on and off since late 2014 when first gaining permission to visit the famous site of Orford Ness; once a semi-fictionalised place in my mind’s … Continue reading Short Film – Ness (Robert Macfarlane and Stanley Donwood)

Trailer – Ness (Robert Macfarlane & Stanley Donwood)

Above is the trailer for my only short film this year and probably my last for the foreseeable. Thankfully, I think it will be one of the strongest and certainly all of the elements have come together nicely. The film is called Ness and is an adaptation of Robert Macfarlane and Stanley Donwood’s upcoming short collaboration, detailing a strange, folkloric vision of the Orford Ness … Continue reading Trailer – Ness (Robert Macfarlane & Stanley Donwood)

How Pale The Winter Has Made Us (Influx Press, 2020)

I’m very happy to say that my next novel, How Pale The Winter Has Made Us, is to be published in February 2020 by Influx Press. We’ve been working together on it for a long time now, and are still working out little details of formatting and planning so I won’t be saying too much here. But, suffice to say, the project has been a … Continue reading How Pale The Winter Has Made Us (Influx Press, 2020)

Echoes & Imprints: Towards A Sebaldian Cinema

This is an edited transcript of a talk given at Norwich Castle on Tuesday the 27th of August 2019. My thanks to Dr Nick Warr and Philippa Comber for their help. Considering the wealth of photography on the walls of the Line of Sight exhibition housed next door (an exhibition detailing many photographs taken by the author for his novels), it is unsurprising to find the work … Continue reading Echoes & Imprints: Towards A Sebaldian Cinema

Winter Waves: Marguerite Duras And Trouville

Marguerite Duras lived in a little flay in what was once the Hôtel des Roches Noires in Trouville on the Normandy coast for over thirty years. She spent long periods of time there from 1963 to 1996. She would stare out of the window towards the horizon line, or at least was photographed often staring out of the window towards the horizon line. Though undoubtedly … Continue reading Winter Waves: Marguerite Duras And Trouville

Marcel Proust Turns Away

“What the Photograph reproduces to infinity has occurred only once: the Photograph mechanically repeats what could never be repeated existentially.” – Roland Barthes Marcel Proust turns away. His head is straight but not quite obscured. It could be considered a picture in profile if not for the angle of his body, crumpled and creating the illusion of multiple positions. His hand weakly grips his lapel, … Continue reading Marcel Proust Turns Away

Horror’s Pleasure of Distance

One of my favourite moments from Alfred Hitchcock’s Psycho (1960) is not a typical choice considering the film’s many infamous scenes. Rather than showers, murders and other more memorable images, I particularly love a relatively bland scene later on in the film. It has narrative development in its eerie punch line but has little else on screen in terms of Hitchcock more generally: it is utterly perfunctory … Continue reading Horror’s Pleasure of Distance

Responses: Tacita Dean’s Berlin And The Artist (2012)

Chance played a huge role in the writing of Robert Walser. I can picture his slow meanderings around towns and valleys, spotting something that fired his brief need to write before getting distracted by something else entirely. I can see him getting excited by the way sunlight reflects off a lake’s water, by the fustiness of a suited man coming out of a bank, by … Continue reading Responses: Tacita Dean’s Berlin And The Artist (2012)