Category: Landscape

Film, Landscape

Fear And Loathing In The Countryside – Withnail And I (1987).

British cinema is obsessed with the effect of location upon the individual.  In fact, it wouldn’t be so sweeping to suggest that large swaths of culture born on these isles stems from the idea that the individual can be deeply molded by their surroundings and any fictional drama from Albion will be bare the aesthetics of its areas as far more than a setting.  While … Continue reading Fear And Loathing In The Countryside – Withnail And I (1987).

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Folk Horror, Landscape, Literature

Salthouse Marshes (Ghost Story).

In October I released a ghost story for Halloween.  It was partly inspired by Algernon Blackwood’s The Willows, but the majority of its actual narrative structure (especially in terms of character) came from a short story of my own inspired as well by Blackwood’s story.  As it’s near Christmas, the original story is presented below.  It’s very typically Jamesian and should be read late at night … Continue reading Salthouse Marshes (Ghost Story).

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Folk Horror, Landscape, Literature, Psychogeography, Short Film

Showreel 2015.

Above is a showreel built from footage I’ve shot over the last twelve months.  Compared to last year’s showreel, this one feels far more defined and less haphazard with the visual ideas I want to play with.  Gone are the mixtures of stop-motion, digital and film, instead replaced entirely by different stocks of super-8 footage.  This year has felt like a much more defined trajectory … Continue reading Showreel 2015.

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Film, Landscape

The Breeze In The Grass – Elemental Realisation in Tarkovsky’s Mirror (1975).

In last month’s issue of Sight & Sound (November, 2015) Nick James details his relationship with the cinema of Andrei Tarkovsky in line with the season of films he’s curated for the BFI.  Though the article is chiefly surrounding Tarkovsky’s (vast) legacy, one aspect in particular caught my attention whilst reading.  He refers to a scene from Tarkovsky’s 1975 film, Mirror, which partly accounted for … Continue reading The Breeze In The Grass – Elemental Realisation in Tarkovsky’s Mirror (1975).

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Folk Horror, Landscape, Short Film

Short Film – Salthouse Marshes

Salthouse Marshes began life in a strange way.  Having chatted about adapting Algernon Blackwood’s The Willows with Robert Macfarlane (who had wanted to re-set it in England), there was always to be a “haunted waterway” film on the cards.  But, after constant reading of the narrative of The Willows, the thought of organising the filming on two boats and on celluloid simply proved too intimidating.  … Continue reading Short Film – Salthouse Marshes

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Film, Folk Horror, Landscape, Literature, Psychogeography, Television

Walking “A Warning To The Curious” (M.R. James).

A few years back, whilst on holiday in Norfolk, I began exploring some of locations used for the BBC’s famous M.R. James adaptations, specifically for Lawrence Gordon Clark’s adaptation of A Warning To The Curious (1972).  Though I had been far from thorough in this escapade (I completely missed the film’s most iconic structure in the church at Happisburgh), on finding myself in Suffolk, I … Continue reading Walking “A Warning To The Curious” (M.R. James).

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Film, Landscape, Literature

Emerson’s Nature and Sleep Furiously (2008) – Gideon Koppel.

Nature is always present or at the very least contrasted against something in Gideon Koppel’s nostalgia portrait, Sleep Furiously (2008).  In spite of the film being a very clear ethnographic postcard from the director’s past, having lived previously in the Welsh town of Trefeurig, it manages to underline its gentle portraiture with a sense of pervading nature and landscape; where even the most concrete of … Continue reading Emerson’s Nature and Sleep Furiously (2008) – Gideon Koppel.

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Film, Folk Horror, Landscape

Isolation And Madness In Cul-De-Sac (1966) – Roman Polanski.

Few films are as explicit in their depiction of character relationships that are at the mercy of the fluctuating landscape than Roman Polanski’s 1966 film, Cul-De-Sac.  Polanski had been to both ends of the environmental spectrum within his previous two films – the open waters of Knife In The Water (1962) and the cramped, claustrophobic London of Repulsion (1965) – and Cul-De-Sac sees him returning … Continue reading Isolation And Madness In Cul-De-Sac (1966) – Roman Polanski.

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Landscape, Literature, Psychogeography, Short Film

Short Film – An Impossible Dérive.

An Impossible Dérive is a film that channels a number of my own current interests.  Though predominantly about the changing landscape and topography of the city centre of Liverpool, it is also about using psychogeography and the writing of John Wyndham to assess and comment upon the fallout of such change within the landscape.  The title, An Impossible Dérive, refers to two different aspects of … Continue reading Short Film – An Impossible Dérive.

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Art, Landscape, Literature, Psychogeography, Short Film

Short Film – Holloway (Robert Macfarlane).

It feels odd to finally be able to say that Holloway is finished.  This oddness derives not just from the fact that it has been the longest planned film that I’ve produced so far (starting all the way back from Robert Macfarlane’s first email to me in February 2014) but because the subject of the film itself is never-ending.  The holloways of Dorset do not … Continue reading Short Film – Holloway (Robert Macfarlane).

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