Above is a showreel built from footage I've shot over the last twelve months. Compared to last year's showreel, this one feels far more defined and less haphazard with the visual ideas I want to play with. Gone are the mixtures of stop-motion, digital and film, instead replaced entirely by different stocks of super-8 footage. … Continue reading Showreel 2015.
Salthouse Marshes began life in a strange way. Having chatted about adapting Algernon Blackwood's The Willows with Robert Macfarlane (who had wanted to re-set it in England), there was always to be a "haunted waterway" film on the cards. But, after constant reading of the narrative of The Willows, the thought of organising the filming … Continue reading Short Film – Salthouse Marshes
The relationship between myth and ritual has been often debated within anthropology ever since its Victoriana days of enlightened scientific thinking through the prism of evolution and the birth of mechanisation and industrial blight. The idea of returning to the "primacy of ritual", where whole belief systems stem as a result from repeated actions or … Continue reading Ritual And Identity in Penda’s Fen (1974) – Alan Clarke.
Part 1. Part 2. The Eeriness of Landscape Entities. The final aspect to assess is the natural eeriness created from putting an object within a landscape; here, it is the context of such an action and implications of the aesthetics that is key. When Hepworth's work is situated in the landscape, two things can occur. … Continue reading Uncanny Portals And Standing Stones (Children Of The Stones, The Owl Service and Barbara Hepworth) – Part 3.
A few years back, whilst on holiday in Norfolk, I began exploring some of locations used for the BBC's famous M.R. James adaptations, specifically for Lawrence Gordon Clark's adaptation of A Warning To The Curious (1972). Though I had been far from thorough in this escapade (I completely missed the film's most iconic structure in … Continue reading Walking “A Warning To The Curious” (M.R. James).
Above is the trailer for my last film of the year, Salthouse Marshes. Continuing on from last year's theme in a trend I hope to continue with on a yearly basis, the film is a short, landscape obsessed ghost story. With the BBC seeming reluctant to bother with a ghost story for Christmas any more, … Continue reading Trailer – Salthouse Marshes.
Part 1. Portals, Dimensions and Time. For Barbara Hepworth the process actually began in Yorkshire, and Cornwall is the second and last English phase of a basic topographical emotion which is no longer a matter of geography but one of the mind and creation. Neither is it any longer a matter of feeling for landscape … Continue reading Uncanny Portals And Standing Stones (Children Of The Stones, The Owl Service and Barbara Hepworth)- Part 2.
Few films are as explicit in their depiction of character relationships that are at the mercy of the fluctuating landscape than Roman Polanski's 1966 film, Cul-De-Sac. Polanski had been to both ends of the environmental spectrum within his previous two films - the open waters of Knife In The Water (1962) and the cramped, claustrophobic … Continue reading Isolation And Madness In Cul-De-Sac (1966) – Roman Polanski.
Introduction. The building of form within the space of landscape has become a common occurrence in sculpture for a number of years now. The moving of artistic forms out-of-doors provides so many new potential contexts that it seems almost puerile to suggest so. One aspect of particular interest is when these new forms of Earthologistic sculpture … Continue reading Uncanny Portals And Standing Stones (Children Of The Stones and Barbara Hepworth)- Part 1.
There exist volumes of academic research and work surrounding the role of repetition in religious and cultural practices. Repeated actions of any type, creating an easily recognisable mimesis, seems almost an aesthetic by-word for a normalised analytical framework of cultural activities, especially musically. From prayer to mantra, the idea of repetition is stretched to form … Continue reading Repetition And Occultism Of Invocation Of My Demon Brother (1969) – Kenneth Anger.