I have been lucky enough to have this year’s Halloween film, No Diggin’ Here – a film about M.R. James, Aldeburgh and A Warning To The Curious – premiered on the BFI’s website. It was a Halloween treat that, until I saw it happen in full, I didn’t quite believe, but I count myself incredibly lucky for such an opportunity. A few weeks back, the … Continue reading Short Film – No Diggin’ Here.
There are few writers that figure more prominently in everything I do than the teller of beautiful Edwardian ghost stories, M.R. James. Alongside W.G. Sebald, J.G. Ballard, Alan Garner and Virginia Woolf, his writing holds a great power over me with its familiar yet unfamiliar worlds. His writing preys upon my mind at regular intervals, even outside of the Christmas period from which they were … Continue reading Trailer – No Diggin’ Here.
Salthouse Marshes began life in a strange way. Having chatted about adapting Algernon Blackwood’s The Willows with Robert Macfarlane (who had wanted to re-set it in England), there was always to be a “haunted waterway” film on the cards. But, after constant reading of the narrative of The Willows, the thought of organising the filming on two boats and on celluloid simply proved too intimidating. … Continue reading Short Film – Salthouse Marshes
With the ideas of the Folk Horror Chain starting to seem incomplete as the sub-genre grows in popularity and is more analysed, it’s about time further facets, themes, ideas and traits were added to the conversation. This will be the first in a number of pieces about other traits not accounted for or addressed in the initial idea of the chain (which itself was only … Continue reading The Ritual Of Craft In Folk Horror.
There is no excerpt because this is a protected post. Continue reading Protected: The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 6 (Excavation).
(Watch in at least 480p.) I’ve been sitting on this ghost story for a while having finished it late in the summer. Even though I was excited to get something out there that I was actually happy with, it just didn’t feel right putting out a ghost story when it was still warm outside. The Coastal Path is destined to be part the Coven exhibition … Continue reading Short Film – The Coastal Path.
There is no excerpt because this is a protected post. Continue reading Protected: The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 4 (Music).
While many British films take full advantage of the rural potential that “this spectered isle” can provide, there seems to be another sub-sect to this branch film, often finding its way into British horror cinema. Of course, this isn’t as clear cut as simply analysing films under the guise of “Rural Horror” or “Folk Horror” but there is a small batch of British horror films … Continue reading Films On The Strange British Coastline.
This article contains minor spoilers. It has taken a while for the traditional BBC ghost story to make a fully formed return in the 21st century. This is surprising considering the popularity of the return of other genre television traditions from Doctor Who to Battlestar Galactica, but the singular ghost story at Christmas has taken some time to get right. Before this recent M.R. James … Continue reading The Tractate Middoth – Mark Gatiss (BBC Ghost Story at Christmas).
Director Digby Rumsey sees his BFI DVD debut this month on the Flipside release of Leslie Megahey’s Schalcken the Painter. Rumsey is a traditional BFI director, coming from the same ranks as Terence Davies, Bill Douglas and Peter Greenaway. His work in Gothic short films, especially adaptations of work by Lord Dunsany, places him firmly in the British Gothic traditions of directors such as Jonathan … Continue reading Interview With Digby Rumsey (BFI Flipside, The Pledge).
Celluloid Wicker Man 