Mothlight was released on the 7th of February and I’ve been going on about it on social media quite heavily. In spite of this, I wanted to post a quick update about the book and then generally leave the discussions surrounding it to official events and to other websites. The guys at Influx Press (Gary … Continue reading Mothlight
Above is a short film made with Influx Press all about my next book, Mothlight. Running back and forth between London and Merseyside, the film features me waffling on a little and also revisiting the original locations up north that inspired the book. Also featured, for which I’m incredibly lucky, are some readings by my … Continue reading Mothlight (Film)
I’m very happy to say that my first fiction book has been taken by the wonderful guys at Influx Press. Mothlight is due to be released on the 7th of February 2019. I’ve spoken publically a few times about this book in the earlier stages of its writing and editing under its original title of … Continue reading Mothlight (Influx Press, 2019)
I was sat on a couch in Strasbourg reading essays by Teju Cole, the volume Known And Strange Things published quite recently by Faber and Faber. It was night and I was alone, glancing up occasionally, as I often do when in my partner's flat, to stare at the city's famous cathedral lit up at night. … Continue reading Phantom Coincidence in W.G. Sebald’s “Remembered Triptych…”
I savour Robert Walser's fragmentary work. Though I've read several volumes of his collected sketches, I've yet to read any of his full length novels. I have some trepidation about them, almost definitely unfounded, in that it is the formal qualities of such short snippets that draws me into his optimistic depression, his meandering playfulness … Continue reading Wandering Through – Robert Walser’s A Little Ramble (1914)
For a recent symposium on Hauntology, I gave a paper on the links between the philosophy of hauntological ideas with the work and W.G. Sebald. The subject had been interesting me for a while, not least because the jump between the style of the former and the thematic ideas of the latter are the amalgamation … Continue reading Interview: Grant Gee + James Leyland Kirby (The Caretaker) on W.G. Sebald + Hauntology
So much has been written about W.G. Sebald and the use of photographs in his novels that it seems almost fruitless to write further around the subject. With it being one of the defining features of his work, and with a rapidly increasing library of volumes and handbooks exploring the writer's legacy, I struggled to … Continue reading Chasing The Ghost – Excavating Sebald’s Portraits
This paper was delivered at the Resonant Edge Hauntology Symposium on the 15/06/2017. Full interviews with Grant Gee and James Leyland Kirby will be published later this summer. My talk today is about two specific forms: the writing of W.G. Sebald and the musical work of The Caretaker. My aim is to show the links … Continue reading Memory and Disintegration in the work of W.G. Sebald and The Caretaker
The strongest moment in Grant Gee's documentary on W.G. Sebald, Patience (After Sebald) (2012), is courtesy of a photographic work by the artist, Jeremy Millar. Towards the end of film, the inevitable addressing of the tragedy of Sebald's life being cut short in a car crash in 2001 comes to be addressed and uses one … Continue reading Responses: Jeremy Millar’s A Firework For Sebald (2005).
On finishing W.G. Sebald's four quartered documentary piece, The Emigrants (1992), I felt as if a loose connection to some recent film or book was hanging midair, waiting to be tied up. The narrative is split into the stories of four émigrés, all seemingly interconnected by a multitude of strange images but chiefly connected by … Continue reading Ghosts In The Ice: The Emigrants (W.G. Sebald) and 45 Years (Andrew Haigh).