Mothlight (Film)

Above is a short film made with Influx Press all about my next book, Mothlight. Running back and forth between London and Merseyside, the film features me waffling on a little and also revisiting the original locations up north that inspired the book. Also featured, for which I’m incredibly lucky, are some readings by my … Continue reading Mothlight (Film)

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Fragments: Herr Lehmann’s Pond In Baden-Baden

Herr Lehmann resembled Kafka. He looked less like Kafka at first but more like Kafka as I came to know him. He was Kafka-esque though not in that sense, the sense of being horrifyingly bureaucratic – which he was, though this is not the reason – but in the sense that his face seemed, for … Continue reading Fragments: Herr Lehmann’s Pond In Baden-Baden

Fragments: On A Hillside Near Château Haut-Barr

And then we had lost each other within the trees. The moment slipped away as quickly as her shadow, passing onwards through the breeze. I craved the warmth of the Château Haut-Barr once more, leaves falling through the cracks in its walls, our souls simply kindling for the hungry fire to burn. But I was … Continue reading Fragments: On A Hillside Near Château Haut-Barr

Phantom Coincidence in W.G. Sebald’s “Remembered Triptych…”

I was sat on a couch in Strasbourg reading essays by Teju Cole, the volume Known And Strange Things published quite recently by Faber and Faber. It was night and I was alone, glancing up occasionally, as I often do when in my partner's flat, to stare at the city's famous cathedral lit up at night. … Continue reading Phantom Coincidence in W.G. Sebald’s “Remembered Triptych…”

Wandering Through – Robert Walser’s A Little Ramble (1914)

I savour Robert Walser's fragmentary work.  Though I've read several volumes of his collected sketches, I've yet to read any of his full length novels.  I have some trepidation about them, almost definitely unfounded, in that it is the formal qualities of such short snippets that draws me into his optimistic depression, his meandering playfulness … Continue reading Wandering Through – Robert Walser’s A Little Ramble (1914)

Interview: Grant Gee + James Leyland Kirby (The Caretaker) on W.G. Sebald + Hauntology

For a recent symposium on Hauntology, I gave a paper on the links between the philosophy of hauntological ideas with the work and W.G. Sebald.  The subject had been interesting me for a while, not least because the jump between the style of the former and the thematic ideas of the latter are the amalgamation … Continue reading Interview: Grant Gee + James Leyland Kirby (The Caretaker) on W.G. Sebald + Hauntology

Chasing The Ghost – Excavating Sebald’s Portraits

So much has been written about W.G. Sebald and the use of photographs in his novels that it seems almost fruitless to write further around the subject.  With it being one of the defining features of his work, and with a rapidly increasing library of volumes and handbooks exploring the writer's legacy, I struggled to … Continue reading Chasing The Ghost – Excavating Sebald’s Portraits

Memory and Disintegration in the work of W.G. Sebald and The Caretaker

This paper was delivered at the Resonant Edge Hauntology Symposium on the 15/06/2017. Full interviews with Grant Gee and James Leyland Kirby will be published later this summer. My talk today is about two specific forms: the writing of W.G. Sebald and the musical work of The Caretaker.  My aim is to show the links … Continue reading Memory and Disintegration in the work of W.G. Sebald and The Caretaker

Responses: Jeremy Millar’s A Firework For Sebald (2005).

The strongest moment in Grant Gee's documentary on W.G. Sebald, Patience (After Sebald) (2012), is courtesy of a photographic work by the artist, Jeremy Millar. Towards the end of film, the inevitable addressing of the tragedy of Sebald's life being cut short in a car crash in 2001 comes to be addressed and uses one … Continue reading Responses: Jeremy Millar’s A Firework For Sebald (2005).