Wanders: Alan Garner’s Edge And Cadellin’s Home.

“When I was not confined to the house, I would spend my days and my nights on the Edge.” – Alan Garner (1997, p.12). On a frosty but sunny January morning, I was making my way along the M56 towards Macclesfield.  The pilgrimage was not one of unique exploration but one of repetition; I was treading my own ghost steps to a place I had … Continue reading Wanders: Alan Garner’s Edge And Cadellin’s Home.

The Ritual Of Craft In Folk Horror.

With the ideas of the Folk Horror Chain starting to seem incomplete as the sub-genre grows in popularity and is more analysed, it’s about time further facets, themes, ideas and traits were added to the conversation.  This will be the first in a number of pieces about other traits not accounted for or addressed in the initial idea of the chain (which itself was only … Continue reading The Ritual Of Craft In Folk Horror.

Short Film – Weirdstone (For Alan Garner).

“It is for this reason that we find that co-existence, which could neither be in time alone, for time has no contiguity, nor in space alone, for space has no before, after, or now, is established through matter.” (p.12, 1891) – Schopenhauer, The World As Will And Idea Volume 1. It seems fitting to open with this quote from Schopenhauer when discussing the themes behind … Continue reading Short Film – Weirdstone (For Alan Garner).

The Aural Aesthetics Of Ghosts in BBC Ghost Stories – Part 9 (Conclusions).

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Conclusions. “If its central characteristics remained immune to change, the ghost story did keep pace with the times through progressive modernization of settings and language.” – Cox (xix, 1991). From analysis of the BBC Ghost Stories, it is clear that the narrative function of the supernatural has a natural … Continue reading The Aural Aesthetics Of Ghosts in BBC Ghost Stories – Part 9 (Conclusions).

2014 Review and Top 10s.

Best New Releases. 2014 has been a year that I’ve genuinely struggled to keep up with in terms of new releases.  The sheer wealth of material out there and the incessant obsession of online reviewers to desperately be up-to-date has been an interesting but ultimately fruitless exercise to try and mimic.  Luckily, I’ve watched a good number of excellent films from all around the world … Continue reading 2014 Review and Top 10s.

Red Shift (Play For Today, 1978) – John Mackenzie (BFI).

A shifting sense of time, space, and place can bring huge advantages to fantastical works of fiction.  The feeling that time is a folded concept, repeating and resetting in a quasi-ritualistic ceremony of life adds a sheen of the monumental to even the smallest and most intimate of dramas.  This sheen is the absolute embodiment of the work of writer, Alan Garner, and is never … Continue reading Red Shift (Play For Today, 1978) – John Mackenzie (BFI).