A Brief History of Occult and Folk Horror

Article originally published in New Empress Magazine. Being old and feeling almost excavated from some grainy piece of earth, silent horror has the unnerving sense of being a genuine piece of documentation. No doubt unaware of it at the time, Benjamin Christensen’s Häxan: Witchcraft Through The Ages (1922) is a film that so embodies this accidental aspect that viewing it recalls the feeling of Ash’s … Continue reading A Brief History of Occult and Folk Horror

Night Of The Eagle – Sidney Hayers (1962)

If Alfred Hitchcock were to have made an occult horror film, it’s not beyond the realms of fantasy to believe that it would look something like Sidney Hayers’ 1962 film Night of the Eagle.  Mixing up all sorts of clean cut imagery and marvellously juicy language, the film is one of the more Freudian in the horror canon and a far more subtle affair than … Continue reading Night Of The Eagle – Sidney Hayers (1962)

X The Unknown – Leslie Norman (1956)

Following on from Hammer’s The Quatermass Xperiment, the company continued their desire for rating incorporated titles with 1956’s X The Unknown. It may perhaps hold the most unimaginative of Hammer’s titles but the film itself has some surprisingly good moments. The story follows an extremely similar route to its predecessor but certain tweaks allow more paranoia to build specifically around the radiation that clearly obsessed … Continue reading X The Unknown – Leslie Norman (1956)

The Reptile – John Gilling (1966)

This article contains spoilers. As a companion piece to John Gilling’s other big Hammer success The Plague of Zombies, 1966’s other Cornish based horror is an entirely different film even though shot relatively back to back.  The Reptile focuses far more on the individual effects of a creature on the loose rather than a general view on the chaos, though obviously the villages where both … Continue reading The Reptile – John Gilling (1966)

The Horror Score Rebellion Part 2 – Night Of The Living Dead And The Electronic Score.

Horror films were slow on the upkeep when it came to electronic music. Though elements of it were being used in other genres before 1968, electronic music didn’t really reach horror until the late sixties. The exact date of the first use of electronic score has been attributed to various films; largely Cold War fare such as The Day the Earth Stood Still (1951) and Invasion of the … Continue reading The Horror Score Rebellion Part 2 – Night Of The Living Dead And The Electronic Score.

The Quatermass Xperiment – Val Guest (1955)

Still reeling from the massive success of Cold War infused science fiction, Hammer films clearly saw a gap in the market for a British flavoured take on the paranoid happenings around space travel and nuclear weapons.  Adapting Nigel Kneale’s original BBC Quatermass series is an absolute masterstroke by Hammer producer Anthony Hinds and it can be argued that the success of this one film lead … Continue reading The Quatermass Xperiment – Val Guest (1955)

The Horror Film Score Rebellion Part 1 – Classic Horror

INTRODUCTION 1968 was the year that horror cinema sought to change the way in which it scored its films and began to develop alternatives to the increasingly cliched sounds that had become a staple of the genre since the silent era. David Raskin, who had scored the first two Basil Rathbone-starring Sherlock Holmes films in the early thirties, as well as a number of film … Continue reading The Horror Film Score Rebellion Part 1 – Classic Horror

The Wicker Man – Robin Hardy (1973)

The sub-genre of Folk Horror is possibly the oddest mixture of ideals and ideas ever to join in the world of cinema.  Trying to envision a genre taking best aspects from Folk tradition and mix it with the scary and disturbing edges of Horror can be difficult to imagine. However, amongst this small group of films, all of which are brilliant, sits one that transcends the … Continue reading The Wicker Man – Robin Hardy (1973)

The Texas Chainsaw Massacre – Tobe Hooper (1974)

When looking into the history of film titles, there surely cannot be one more controversial and loaded than The Texas Chainsaw Massacre? It’s a vicious, daring piece of marketing that implies what’s in store is something altogether grim and deeply disturbing as well as graphically violent.  Thankfully the film in question is far more intelligent than that and is most definitely not to be confused with the recent … Continue reading The Texas Chainsaw Massacre – Tobe Hooper (1974)