Owls and Flowers: Alan Garner’s The Owl Service At 50

I cannot remember when I first read Alan Garner's The Owl Service (1967); like its inspiration, The Mabinogion, or the Stone of Gronw that sits at the centre of its mystery, it seems to have always been here.  It's an unusual feeling because the novel is not particularly old by standards of literature - it turns … Continue reading Owls and Flowers: Alan Garner’s The Owl Service At 50

A Sacred Demon Of Ungovernableness: Penda’s Fen (1974) and Folk Horror

The following is a transcript of the paper delivered at the Child Be Strange Conference at the British Film Institute, 10/06/2017 I want discuss Penda’s Fen today in a context which, for many, is now taken for granted but which is also not entirely agreed upon: the genre that the play sits within.  That genre context … Continue reading A Sacred Demon Of Ungovernableness: Penda’s Fen (1974) and Folk Horror

Folk Horror: Hours Dreadful and Things Strange (January, 2017)

As recently announced, I have a book being released in January all about Folk Horror and its many related areas of interest.  The book has been in the works for the last year or so though many of the arguments within have been growing now for several years.  Though I'll undoubtedly being doing the usual … Continue reading Folk Horror: Hours Dreadful and Things Strange (January, 2017)

The Ghost In The Grain – Folk Horror Revival @ The British Museum (16/10/2016).

This presentation was originally given at the Folk Horror Revival day at The British Museum (16/02/2016).  My thanks to the fellow admins of the Folk Horror Revival, especially Jim Peters and Andy Paciorek. There's an overt connection between analogue technology and the narratives surrounding paranormal activity in British horror, especially when made during the 1970s.  … Continue reading The Ghost In The Grain – Folk Horror Revival @ The British Museum (16/10/2016).

Rurality In Folk Horror And The Films of David Gladwell.

This paper was originally given at The Alchemical Landscape conference at Girton College Cambridge, 07/07/2016. Though more well known for work as a film editor associated with the Free Cinema Movement of the late 1950s, and for cutting work on several films by Lindsay Anderson including If.... (1968) and O' Lucky Man! (1973), David Gladwell … Continue reading Rurality In Folk Horror And The Films of David Gladwell.