Local Haunts was released at the end of March by Influx Press, and has been on sale for around two months at the time of writing. I’ve resisted talking more about it on here so far, largely because I wanted to see what the general reaction was rather than pre-empting it. Thankfully, after having done a number of events in which the response has been … Continue reading Local Haunts (Influx Press, 2025)
Having already written about the Weather Words film for Caught By The River (link here), I won’t add much more about the project. For more specific details, read that piece. It’s the first and probably only film project of mine in 2018, partly due to funding problems and partly due to other big projects taking time (finishing my PhD, editing first novel, drafting second, selling … Continue reading Short Film – Weather Words (Colin Riley feat. Robert Macfarlane)
This November sees the 50th anniversary of one of Hammer Studios’ strongest and most complex films: Roy Ward Baker’s Nigel Kneale adaptation, Quatermass And The Pit (1967). Sometimes known under the title of Five Million Years To Earth, the film takes Kneale’s BBC script from the original broadcast serial and turns it into something far more unnerving than the other films produced by the studio in … Continue reading Quatermass And The Pit (1967) @ 50
Above is Greenteeth, my film adaptation of the short story by Gary Budden which can be read in his upcoming volume of short stories. It is currently up for a fantasy award and follows the pressures on a young woman in a struggling part of north London whose social worries begin manifest in more folkloric ways through the legend of Jenny Greenteeth. The film came … Continue reading Short Film – Greenteeth
Above is the trailer for my only narrative film this year, Green Teeth. There has been a huge gap in my film projects recently, caused by writing a second book and having a huge chunk of time taken up with a project that fell through late last year. Green Teeth as a project came along quite by chance when adventuring on several walks with the … Continue reading Trailer – Green Teeth
I cannot remember when exactly I first read Alan Garner’s The Owl Service (1967). Like its inspiration, The Mabinogion, or the Stone of Gronw that sits at the centre of its mystery, it seems to have always been there. It’s an unusual feeling because the novel is not particularly old by standards of literature – it turns fifty on the 21st of August – and yet it feels old. It may … Continue reading Owls and Flowers: Alan Garner’s The Owl Service At 50
As typical when finishing a book that attempts to build a canon, as I have tried to do with Folk Horror, the signalling of its publishing means a whole host of new potential examples surface and come to light. Though there were things in the Folk Horror book that I simply left out by sheer chance – Edgar Wright’s Hot Fuzz (2007) being a key … Continue reading Folk Horror Curios
At the time of writing this, my book on Folk Horror is a few weeks away from being printed. By the time you read this, however, it should be available to buy. I’ve written about the detail of the book earlier when it was due to be published late last year. However, I wanted to get a few words down again now that it is … Continue reading Folk Horror: Hours Dreadful and Things Strange
Late last year, I became obsessed with visiting a certain item in the British Museum. Deliberately choosing to work in or near Bloomsbury, I would often wander into the building in between working, making my way straight to one of the room’s (on the right of the building) with a confidence and determination that clearly unnerved my various tourist companions. I would stride into the … Continue reading Responses: John Dee’s Obsidian Mirror
One of Derek Jarman’s first short super-8 film was the haunting A Journey to Avebury. Early evidence that Jarman was interested in the genii loci of English landscapes, his walk through the Wiltshire landscape, after the intense stint of work on the sets for Ken Russell’s The Devils (1971), had a larger influence upon him than the singular short film belies. The ancient landscape generated a whole range minimalist paintings … Continue reading Responses: Derek Jarman’s Avebury
Celluloid Wicker Man 