Peeping Tom (Michael Powell,1960) – Aural Perspectives of Murder.

In spite of its very energetic reappraisal and various analyses, Michael Powell’s career destroying masterpiece, Peeing Tom (1960), is a film whose musical eccentricities and sound design contain hidden depths. For a film that appears on the surface to be almost excessively Freudian, this was normal yet, when looking at some of the detailed reappraisals and even some of the high-end re-evaluations of its narrative … Continue reading Peeping Tom (Michael Powell,1960) – Aural Perspectives of Murder.

Eyes Wide Shut (1999) – Occult Sexuality

Strange undercurrents of sexuality pervade the films of Stanley Kubrick. Though not always present explicitly, the raw presence of dark desire and physical wanting seems scattered throughout his work. From Dr Strangelove‘s ideas of selective breeding based on the “sexual characteristics that will have to be of a highly stimulating nature” to The Shining‘s most surreal haunting of a man receiving oral sex from another … Continue reading Eyes Wide Shut (1999) – Occult Sexuality

The Tractate Middoth – Mark Gatiss (BBC Ghost Story at Christmas).

This article contains minor spoilers. It has taken a while for the traditional BBC ghost story to make a fully formed return in the 21st century.  This is surprising considering the popularity of the return of other genre television traditions from Doctor Who to Battlestar Galactica, but the singular ghost story at Christmas has taken some time to get right.  Before this recent M.R. James … Continue reading The Tractate Middoth – Mark Gatiss (BBC Ghost Story at Christmas).

An Ancient Evil: M.R. James and Nigel Kneale.

Two writers who could be said to epitomise the ideas of Folk Horror, M.R. James and Nigel Kneale, while addressing these ideals through different media, are writers whose work often crept into the same realm.  This has lead to both of their work having a natural relationship with each other, with one almost being a reincarnation of the other.  Of course, to imply such things … Continue reading An Ancient Evil: M.R. James and Nigel Kneale.

2013 in Film.

In contrast to other cineastes that I follow online, I really don’t get out that much. While so many excellent film writers seem to be able to see every relevant new release as it comes (even before if they’re lucky enough to have time and money to get thoroughly into the festival circuit), it’s actually a rarity for me to be able to get into … Continue reading 2013 in Film.

The Seventh Continent (Michael Haneke) and the Freudian Death Drive – Part 2

Part 1. The Seventh Continent. Unlike Freud’s vision of how the Death Drive manifests, Haneke uses the idea as an attack on a number of his usual tropes.  Aspects of modern life such as the dreary drag of the 9 to 5 to the middle class obsession with materialism and ownership/possession all come under fire and blame for the Death Drive take over.  The Seventh … Continue reading The Seventh Continent (Michael Haneke) and the Freudian Death Drive – Part 2

The Seventh Continent (Michael Haneke) and the Freudian Death Drive – Part 1.

Introduction Michael Haneke’s debut feature set the tone for the majority of his interests that would be explored over the next few decades.  The Seventh Continent (1989), though part of the Glaciation Trilogy, stands on its own for questioning a very specific and brutal form of philosophy; that of Freud’s Death Drive principles.  Though Haneke would address philosophical issues in a lot of his films (this … Continue reading The Seventh Continent (Michael Haneke) and the Freudian Death Drive – Part 1.

Kevin Brownlow Discusses Abel Gance’s Napoléon.

Said to be a labour of love lasting over forty years, the restoration of Abel Gance’s Napoléon by filmmaker, restorer and archivist Kevin Brownlow, has gone down in the annuls of film history. With the latest restoration having been successfully screen and rapturously received at the San Francisco silent film festival, this November sees a special screening of the epic five hour film with a … Continue reading Kevin Brownlow Discusses Abel Gance’s Napoléon.

Village Green Repression in Film, Television and Philip Larkin.

Mythological Introduction by Philip Larkin. A white girl lay on the grass With her arms held out for love; her goldbrown hair fell down her face, And her two lips move: See, I am the whitest cloud that strays Through a deep sky: I am your senses’ crossroads, where the four seasons lie. She rose up in the middle of the lawn And spread her … Continue reading Village Green Repression in Film, Television and Philip Larkin.

Interview With Digby Rumsey (BFI Flipside, The Pledge).

Director Digby Rumsey sees his BFI DVD debut this month on the Flipside release of Leslie Megahey’s Schalcken the Painter.  Rumsey is a traditional BFI director, coming from the same ranks as Terence Davies, Bill Douglas and Peter Greenaway.  His work in Gothic short films, especially adaptations of work by Lord Dunsany, places him firmly in the British Gothic traditions of directors such as Jonathan … Continue reading Interview With Digby Rumsey (BFI Flipside, The Pledge).