There are few artists that sum up the monumental changes and events of the last century quite as succinctly as Marc Chagall. There have of course been artists to define events and define eras but Chagall’s consistency and unprecedented long life (living to the astronomical age for an artist of the era of 98) seem to lend him a certain advantage, especially in showing the … Continue reading Chagall, Modern Master – Tate Liverpool.
The word portfolio might imply that the latest exhibition at The Bluecoat is quite a simple collection of work. The dreaded P word, ever the bane of the developing artist, might hint that Portfolio NW is the lucky chance for a number of up and coming artists to finally have their work shown in a more public-centred gallery. From reading Jack Welsh’s excellent accompanying notes … Continue reading Portfolio NW – The Bluecoat (Liverpool).
New Fictions showcases nine young artists looking to create and highlight the lack of questioning and assumptions made within the roles of art. Representation seems to be key to this idea, allowing a whole host of different mediums to be playfully ironic in subtly subverting the norms of presenting art work. The fiction that is new in question assumes that a fiction is automatic within … Continue reading New Fictions – Fallout Factory (Liverpool)
A deep look at the process of creating is an interesting basis for curation. Process appears to be vital for contemporary art but is rarely touched upon within a more classical body of work. The process is taken as given with the obvious high level of skill on show but rarely does this translate into the raw thought that actually goes into the planning of … Continue reading The Drawings of Edward Burne-Jones – Lady Lever Art Gallery.
While Ai Weiwei’s work with pots represent the artist’s more accessible work, there’s something about his actions and decisions with the, often expensive and historically relevant, pots that seem weirdly cinematic. This isn’t to say that they look like something out of a film (though actually they could easily work as something surreal given the right audience) but that the ideologies behind the works have … Continue reading Ai Weiwei’s Pots and Jean-Luc Godard’s Celluloid.
Mishka Henner appears to be a photographer that seeks out new meanings within culture and already defined norms; seeking out these new perspectives by literally looking at them from a geographically different view point. His work is of an extremely modern nature, very obviously influenced by the age of globalisation and force-fed by internet and digital culture. The images are literally bursting with allegory, desperate … Continue reading Mishka Henner + Edith Tudor-Hart – Open Eye Gallery.
The question of what exactly can be classed as art is one that is becoming increasingly dominant a topic in our post Brit-Art age. While this is often explored within specific works by artists, it is unusual to find an artist laying claim to an object’s greater meaning when the said object isn’t created by them. Turner Prize winner Mark Leckey, has created an exhibition … Continue reading The Universal Addressability of Dumb Things – The Bluecoat (Mark Leckey).
As part of an initiative called Art Across The High Street, funding is being used to create accessible art works in public spaces while also addressing some of the visual horrors that have scarred the high streets of Swansea town from poor architectural decisions. The first of these public works is by artist Sinta Tantra whose work was displayed as part of the 2012 Liverpool … Continue reading Greater Reality Of Elsewhere – Sinta Tantra (Swansea High Street)
Feel the giddy heights of creative excess. Something that is completely impermeable as a concept becomes physically tangible, visual and audible in Tate’s latest exhibition; the boundaries of taste and of reserve hiding quietly in the corner where they belong while Bowie and Bolan take the centre of stage. All mediums, forms and ideas are merged into one, not to express a basic theme as … Continue reading Glam! The Performance Of Style (Tate Liverpool)
It seems an obvious choice for a photography exhibition to focus on the elements of light and shadow. These are two of the main factors that affect the perceived quality of a photograph yet, as a creative theme, it works as a brilliant starting point for A Lecture Upon The Shadow. Taking six artists from both the North West and Shanghai, the exhibition hints at … Continue reading A Lecture Upon The Shadow + E. Chambre Hardman: Landscapes (Open Eye Gallery)