Responses: Disappearance At Sea (1996) – Tacita Dean.

When last in Edinburgh, I managed to catch the Another Minimalism exhibition at Fruitmarket Gallery.  The aim of the curation was to look at altered experience through the fluctuating relationships between light and colour, featuring an array of colourful, physically intangible works by the likes of Carol Bove, Robert Irwin and Ann Veronica Janssens.  The highlight, however, was a work that was more tangible, both … Continue reading Responses: Disappearance At Sea (1996) – Tacita Dean.

Responses: Avebury Photos (1933 + 1942) – Paul Nash.

The landscape painter and augmenter, Paul Nash, had a momentary, glimpsed relationship with the Wiltshire town of Avebury.  The landscape, which brims with a sense of ancientness and magic, evidently enraptured the painter for a brief spell of creative yield not simply in painting but in photography as a sideline as well.  Caught in the trace images and memories of its Neolithic stone circles, its … Continue reading Responses: Avebury Photos (1933 + 1942) – Paul Nash.

Responses: Blind Landings (2013) – Jane And Louise Wilson.

Debris degrades and degradation can be measured but can art be this measurement?  Orford Ness in Suffolk, a former atomic weapons mechanism research and testing facility, doesn’t ask these questions but the place has attracted such a huge number of artists to its shores that the question of creativity and its role as a reaction to such politically doused spaces cannot help but be evoked.  … Continue reading Responses: Blind Landings (2013) – Jane And Louise Wilson.

Short Film – Holloway (Robert Macfarlane).

It feels odd to finally be able to say that Holloway is finished.  This oddness derives not just from the fact that it has been the longest planned film that I’ve produced so far (starting all the way back from Robert Macfarlane’s first email to me in February 2014) but because the subject of the film itself is never-ending.  The holloways of Dorset do not … Continue reading Short Film – Holloway (Robert Macfarlane).

Forest (Short Film) and A Screaming Breeze (Book).

For some time now I have been involved in a collaborative arts project with local illustrator and artist Katie Craven.  Before the first stage of the project could be unleashed onto the unsuspecting public, the project collapsed in on itself thanks to a Belgian art gallery among other things.  To show just how close it got to being finished, there’s even a stop press advert … Continue reading Forest (Short Film) and A Screaming Breeze (Book).

Andrei Tarkovsky – Polaroids, Mementos and Time

Some directors are very natural auteurs. Their films always seemingly a product of their own conception which seems unavoidable to visually mistake. Viewing all of Andrei Tarkovsky’s films, this is perhaps clearer to see than in the case of most other directors. His distinctive visual style, which morphs into several similar variations, is instantly recognisable. Dripping with faded lights, distinct textures and elemental forces, his … Continue reading Andrei Tarkovsky – Polaroids, Mementos and Time