I cannot remember when I first read Alan Garner's The Owl Service (1967); like its inspiration, The Mabinogion, or the Stone of Gronw that sits at the centre of its mystery, it seems to have always been here. It's an unusual feeling because the novel is not particularly old by standards of literature - it turns … Continue reading Owls and Flowers: Alan Garner’s The Owl Service At 50
Part 1. Part 2. The Eeriness of Landscape Entities. The final aspect to assess is the natural eeriness created from putting an object within a landscape; here, it is the context of such an action and implications of the aesthetics that is key. When Hepworth's work is situated in the landscape, two things can occur. … Continue reading Uncanny Portals And Standing Stones (Children Of The Stones, The Owl Service and Barbara Hepworth) – Part 3.
Part 1. Portals, Dimensions and Time. For Barbara Hepworth the process actually began in Yorkshire, and Cornwall is the second and last English phase of a basic topographical emotion which is no longer a matter of geography but one of the mind and creation. Neither is it any longer a matter of feeling for landscape … Continue reading Uncanny Portals And Standing Stones (Children Of The Stones, The Owl Service and Barbara Hepworth)- Part 2.
With the ideas of the Folk Horror Chain starting to seem incomplete as the sub-genre grows in popularity and is more analysed, it's about time further facets, themes, ideas and traits were added to the conversation. This will be the first in a number of pieces about other traits not accounted for or addressed in … Continue reading The Ritual Of Craft In Folk Horror.