Trailer – Ness (Robert Macfarlane & Stanley Donwood)

Above is the trailer for my only short film this year and probably my last for the foreseeable. Thankfully, I think it will be one of the strongest and certainly all of the elements have come together nicely. The film is called Ness and is an adaptation of Robert Macfarlane and Stanley Donwood’s upcoming short collaboration, detailing a strange, folkloric vision of the Orford Ness … Continue reading Trailer – Ness (Robert Macfarlane & Stanley Donwood)

How Pale The Winter Has Made Us (Influx Press, 2020)

I’m very happy to say that my next novel, How Pale The Winter Has Made Us, is to be published in February 2020 by Influx Press. We’ve been working together on it for a long time now, and are still working out little details of formatting and planning so I won’t be saying too much here. But, suffice to say, the project has been a … Continue reading How Pale The Winter Has Made Us (Influx Press, 2020)

Echoes & Imprints: Towards A Sebaldian Cinema

This is an edited transcript of a talk given at Norwich Castle on Tuesday the 27th of August 2019. Detail has been edited, aspects taken out and points clarified from the original talk. My thanks to Dr. Nick Warr and Philippa Comber in particular for the help and information given both before and after the talk. Introduction Considering the wealth of imagery on the walls … Continue reading Echoes & Imprints: Towards A Sebaldian Cinema

Phantom Coincidence in W.G. Sebald’s “Remembered Triptych…”

I was sat on a couch in Strasbourg reading essays by Teju Cole, the volume Known And Strange Things published quite recently by Faber and Faber. It was night and I was alone, glancing up occasionally, as I often do when in my partner’s flat, to stare at the city’s famous cathedral lit up at night. I was at the point of the book when Cole … Continue reading Phantom Coincidence in W.G. Sebald’s “Remembered Triptych…”

Chasing The Ghost – Excavating Sebald’s Portraits

So much has been written about W.G. Sebald and the use of photographs in his novels that it seems almost fruitless to write further around the subject.  With it being one of the defining features of his work, and with a rapidly increasing library of volumes and handbooks exploring the writer’s legacy, I struggled to initially frame the subject I want to write about here: … Continue reading Chasing The Ghost – Excavating Sebald’s Portraits

Memory and Disintegration in the work of W.G. Sebald and The Caretaker

This paper was delivered at the Resonant Edge Hauntology Symposium on the 15/06/2017. Full interviews with Grant Gee and James Leyland Kirby will be published later this summer. My talk today is about two specific forms: the writing of W.G. Sebald and the musical work of The Caretaker.  My aim is to show the links between the two, with reference to ideas of Hauntology but … Continue reading Memory and Disintegration in the work of W.G. Sebald and The Caretaker

Showreel 2016

I was initially struggling to put together a showreel for 2016.  I don’t think my film work has ever been so reliant on its varied soundworlds for their full context and so pulling the strongest images out of that context doesn’t quite work.  I’ve tried my best to make something vaguely cohesive from these moments though, looking back at the five films I’ve made this … Continue reading Showreel 2016