Norman Cohen’s filmic version of Geoffrey Fletcher’s 1967 book, The London Nobody Knows, could hardly be called an adaptation. With the book being a mixture of personal documentary and the historical exploring of London streets, its narrative is one purely of journeys if anything else. Cohen was already used to this blurring of fiction and fact having unaccredited work on Arnold L. Miller’s cult documentary, … Continue reading The London Nobody Knows (1969) – Psychogeographic Fluctuation.
At the recent Alchemical Landscape conference in Cambridge, there was some interesting analysis of the portrayal of landscape in the opening sequence of Alan Clarke’s Play For Today episode, Penda’s Fen (1974). The point in the analysis was to show the subversive nature of the opening in regards to its melding of two potentially differing realities of English landscape; on the one hand, the typical pastoral … Continue reading Wire and Grass: Landscape Binaries in Television and Reality.
“The contours of the Sizewell power plant, its Magnox block a glowering mausoleum, begin to loom upon an island far out in the pallid waters where one believes the Dogger Bank to be, where once shoals of herring spawned and earlier still, a long, long time ago, the delta of the Rhine flowed out into the sea and where green forests grew from silting sands.” … Continue reading Wanders: Sebald, Sizewell and Dunwich (Suffolk).
London, with its eternal agitations, the ceaseless ebb and flow of its “mighty heart” – De Quincey (1823). After one of the most hectic days of the year so far, I had some hours to kill in London before meeting a friend for an exhibition at the Royal Academy. The day had been frantic, with large amounts of strangely powerful coffees being downed around New … Continue reading Wanders: Thomas De Quincey’s Soho.
Dear Joe, I’d like to walk with you From Clapton Pond to Stamford Hill And on… (2009/1977, p.177) There’s a somewhat unexplored relationship between the work of Harold Pinter and act of walking, specifically walking and talking around London. Perhaps because he is most famous for a form that is so strictly bound into one performative space, it is easily forgotten how vital walking around … Continue reading Wanders: Harold Pinter’s East London
Above is the trailer for the first film project of 2016, The Menhir Motorway. The film has been slightly delayed due to missing virtually all possible deadlines in regards to getting the film developed but it is now well on its way to being finished. Unlike virtually every other landscape short that I’ve made, this is one about an area that is personal to me, … Continue reading Trailer – The Menhir Motorway.
“When I was not confined to the house, I would spend my days and my nights on the Edge.” – Alan Garner (1997, p.12). On a frosty but sunny January morning, I was making my way along the M56 towards Macclesfield. The pilgrimage was not one of unique exploration but one of repetition; I was treading my own ghost steps to a place I had … Continue reading Wanders: Alan Garner’s Edge And Cadellin’s Home.
Dérive 1 – The M53 Cavern (A Northern Concrete Island) – 23/12/2015. In a dérive one or more persons during a certain period drop their relations, their work and leisure activities, and all their other usual motives for movement and action, and let themselves be drawn by the attractions of the terrain and the encounters they find there. – Guy Debord, 1958, The Theory Of … Continue reading Wanders: The M53 Cavern (A Northern Concrete Island)