Falconry, H Is For Hawk, and Powell & Pressburger.

After recently finishing Helen Macdonald’s excellent book, H Is For Hawk, a number of connections and synchronicities emerged that all seemed in some way to tie in to its various chapters and ideas.  Whilst many of these were of a more personal, emotional nature, the chief connection of interest lay in the presence of hawks in Powell and Pressburger’s 1944 film, A Canterbury Tale.  This … Continue reading Falconry, H Is For Hawk, and Powell & Pressburger.

The Urban Wyrd

One of the key criticisms of theories surrounding the genre Folk Horror is its emphasis upon the rural landscape. How can a genre really encompass such rural horror films as Witchfinder General (1968) and The Wicker Man (1973) while also discussing more urban-set horrors such as Quatermass and the Pit (1967)? While key works of Folk Horror cinema seem to broadly focus on rural landscapes to set … Continue reading The Urban Wyrd

Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision (Part 3).

Part 1. Part 2. Belief And Ritual. The power of belief and its will in the distortion of reality is one of Valerie‘s more crucial cinematic aspects.  This isn’t simply a belief in the sense of a religious doctrine and all of the aesthetics that accompany it, but the moral belief of the main character whose fantasies dictate the narrative ruptures within the film.  However, … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision (Part 3).

Death And The Urban Landscape Of Herostratus (1967).

In spite of many British films in late 1960s playing along with the optimistic idea of the counter-culture, free loving dream, several films from era stuck out for their adherence to the harsher reality of late 1960s, urban life.  This is a trait often more associated with the early 1970s, in particular, where all the ideals came crashing down, creating films such as Get Carter … Continue reading Death And The Urban Landscape Of Herostratus (1967).

Trailer – Holloway (Robert Macfarlane).

Above is the trailer for the film that I have been working on with Robert Macfarlane.  Only recently, upon reading a Wikipedia entry no less, did I discover that it is an adaptation of a “Sunday Times best-seller”.  Perhaps it is best to ignore the pressure of this in spite of the article actually putting my name to the project.  As the edit progresses, Holloway … Continue reading Trailer – Holloway (Robert Macfarlane).

Questioning Nostalgia In Folk Horror.

As the Folk Horror canon expands into more forms of media and territory, the Folk Horror Chain becomes less useful as a tool for looking at thematic material.  This is partly due to it being derived as an idea from one medium and one that is explicitly narrative based.  Yet, some of its ideas can be loosely translated into the area of reception studies of … Continue reading Questioning Nostalgia In Folk Horror.

Valerie And Her Week Of Wonders (1970) – Duality Through Sound And Vision (Part 2).

Part 1. Innocence and Sexuality. As already suggested, Valerie is first and foremost about the links, barriers and cross-over between innocence and sexuality.  Whilst some characters (for example, the religious fundamentalists), believe there to be a strict differentiation between the two, the film and Valerie herself know that this is not the case; if anything, it is the watermark of the patriarchy that such a … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound And Vision (Part 2).

Death and Landscape in Drowning By Numbers (1988) – Peter Greenaway.

In Henry David Thoreau’s influential work, Walden (1854), he speaks of many elements of the natural landscape and the deeper meaning within it.  Tying into the first movement of transcendentalism, Thoreau’s was one of a number of works that sought out inner spirituality within a journey toward the outside.  One quote seems particularly prescient, both in the context of our film of study and in … Continue reading Death and Landscape in Drowning By Numbers (1988) – Peter Greenaway.

The Ritual Of Craft In Folk Horror.

With the ideas of the Folk Horror Chain starting to seem incomplete as the sub-genre grows in popularity and is more analysed, it’s about time further facets, themes, ideas and traits were added to the conversation.  This will be the first in a number of pieces about other traits not accounted for or addressed in the initial idea of the chain (which itself was only … Continue reading The Ritual Of Craft In Folk Horror.

Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision (Part 1).

Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision. Jaromil Jireš’ Valerie And Her Week Of Wonders (1970) is a cornucopia of images and sound.  Its vision is of a complex blossoming of sexuality amidst the visual and thematic realisations of a Freudian dreamscape, driven primarily by the lack of understanding and misinterpretation caused by social naivety.  The narrative rarely ascends to … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound and Vision (Part 1).