Tenebrae – Dario Argento (1982) – Arrow DVD SteelBook.

The excessive nature of the 1980s made it a perfect realm for an equally excessive horror cinema. While simplifying the decade to its trivial sound bites of bright, electronic yuppyism may be too all encompassing as a genuine historical analysis, this summation of criteria is perfect when discussing the decade’s cinema.  Cinema is so often the most uncomfortable reflective tool on society and yet this … Continue reading Tenebrae – Dario Argento (1982) – Arrow DVD SteelBook.

Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 1

Sound and Music in Alfred Hitchcock’s Psycho and its Different Readings. Introduction. “If Psycho had been intended as a serious picture, it would have been shown as a clinical case with no mystery or suspense.  The material would have been used as the documentation of the case history.  We’ve already mentioned that total plausibility and authenticity merely add up to a documentary.” – Alfred Hitchcock … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 1

The Seventh Continent (Michael Haneke) and the Freudian Death Drive – Part 2

Part 1. The Seventh Continent. Unlike Freud’s vision of how the Death Drive manifests, Haneke uses the idea as an attack on a number of his usual tropes.  Aspects of modern life such as the dreary drag of the 9 to 5 to the middle class obsession with materialism and ownership/possession all come under fire and blame for the Death Drive take over.  The Seventh … Continue reading The Seventh Continent (Michael Haneke) and the Freudian Death Drive – Part 2

Computer Chess (2013) – Andrew Bujalski.

There is nothing that gives the illusion of the infinite as a tangible concept quite like the game of chess.  Conquering the game has driven several mad and its geeky nature belies the fact that its 64 squares hides a chasm of never ending options and possibilities.  This rather philosophical interpretation of the game is the backdrop for Andrew Bujalski’s subtle comedy, Computer Chess (2013), … Continue reading Computer Chess (2013) – Andrew Bujalski.

The Seventh Continent (Michael Haneke) and the Freudian Death Drive – Part 1.

Introduction Michael Haneke’s debut feature set the tone for the majority of his interests that would be explored over the next few decades.  The Seventh Continent (1989), though part of the Glaciation Trilogy, stands on its own for questioning a very specific and brutal form of philosophy; that of Freud’s Death Drive principles.  Though Haneke would address philosophical issues in a lot of his films (this … Continue reading The Seventh Continent (Michael Haneke) and the Freudian Death Drive – Part 1.

Graveyard of the VHS.

It occurred one Saturday afternoon that my own deep and personal mourning for the innocent VHS had found a new low. When describing VHS to people who appear to be gradually younger and younger, it mimics those conversations witnessed with parents, explaining to their I-pod bound offspring what the big black thing is that’s playing a crackly, slightly warped version of Shine on You Crazy … Continue reading Graveyard of the VHS.

The Masque of the Red Death, Roger Corman (Part 3) – The Freudian Dream.

Part 1. Part 2. The Freudian Dream Corman’s Poe films have become famous for their dream sequences.  The source literature revels in the possibilities of nightmares taking over the psyche so they seem an apt distraction for a medium that already adores the possibilities of dreams.  The Masque of the Red Death perhaps contains Corman’s most effective and disturbing sequence; one of the few to … Continue reading The Masque of the Red Death, Roger Corman (Part 3) – The Freudian Dream.

Kevin Brownlow Discusses Abel Gance’s Napoléon.

Said to be a labour of love lasting over forty years, the restoration of Abel Gance’s Napoléon by filmmaker, restorer and archivist Kevin Brownlow, has gone down in the annuls of film history. With the latest restoration having been successfully screen and rapturously received at the San Francisco silent film festival, this November sees a special screening of the epic five hour film with a … Continue reading Kevin Brownlow Discusses Abel Gance’s Napoléon.

Village Green Repression in Film, Television and Philip Larkin.

Mythological Introduction by Philip Larkin. A white girl lay on the grass With her arms held out for love; her goldbrown hair fell down her face, And her two lips move: See, I am the whitest cloud that strays Through a deep sky: I am your senses’ crossroads, where the four seasons lie. She rose up in the middle of the lawn And spread her … Continue reading Village Green Repression in Film, Television and Philip Larkin.

Interview With Digby Rumsey (BFI Flipside, The Pledge).

Director Digby Rumsey sees his BFI DVD debut this month on the Flipside release of Leslie Megahey’s Schalcken the Painter.  Rumsey is a traditional BFI director, coming from the same ranks as Terence Davies, Bill Douglas and Peter Greenaway.  His work in Gothic short films, especially adaptations of work by Lord Dunsany, places him firmly in the British Gothic traditions of directors such as Jonathan … Continue reading Interview With Digby Rumsey (BFI Flipside, The Pledge).