Part 1. Part 2. Herostratus (1967) Expanding upon the ideas of screaming in The Shout, the analysis of Francis Bacon's influence on counterculture British cinema can conclude with Don Levy's 1967 film Herostratus. The film and its obsessions with textures and urban landscapes has already been discussed in other articles but Herostratus is full of … Continue reading Cinematic Identity Crises And Francis Bacon – Part 3 (Herostratus).
Part 1. Innocence and Sexuality. As already suggested, Valerie is first and foremost about the links, barriers and cross-over between innocence and sexuality. Whilst some characters (for example, the religious fundamentalists), believe there to be a strict differentiation between the two, the film and Valerie herself know that this is not the case; if anything, … Continue reading Valerie And Her Week Of Wonders (1970) – Duality Through Sound And Vision (Part 2).
Part 1. Part 2. Part 3. Part 4. Natural Diegesis And Aural Interaction With Landscape. One of M.R. James' most recognisable writing traits is his emphasis on rural settings. From his own personal experience, of both exploring the churches of France on holiday bike-rides and living and holidaying in Suffolk and Norfolk, the rural landscape … Continue reading The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 5 (Landscape).
Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Lizstomania and the effect of Rock Aesthetics on Classical Reception. After making Tommy, Russell clearly felt as if there was still new territory to be explored. The last of his composer films would not simply be a final whimper in the … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 8 (Lisztomania).
Part 1. The Aural-Thematic Ties In BBC Ghost Stories. "He first began to write the ghost stories for which he is now famous in late 1892 or early 1893 while he was a fellow of King's. They were composed initially to be read aloud in his college rooms as a Christmas treat for his friends."- … Continue reading The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 2 (The Disembodied Voice).
Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Conclusions From the analysis of only a handful of British folk horror films, it has been shown that they rely heavily on their music in order to achieve their full cinematic effect. Altman states the following when discussing genre theory: "Constantly opposing … Continue reading The Music of Folk Horror – Part 8 (Conclusions).
The geographical make-up of a film's scenario is often a subtle root-cause of its dramatic effect. The sense of place, both its physical and psychological attributes, can be so overwhelming that whole narratives can follow the buckling of characters under pressure from this force; to the point where their own emotional identity and personal dynamics … Continue reading The Unleashing of Repressed Eroticism in Black Narcissus (1947) and The Shining (1980).