Writing on all aspects of Film.
Part 3 Journeying Maps A Polaroid is a map of sorts. It covers such a small personal realm within its cartography that the only area it helps to locate is arguably beyond the physical world and within the memory. It shows the way back to the spaces of our past. The image of a Polaroid may fade in comparison to our experiences but it is … Continue reading Presence, or Polaroid Ghosts (Part 4)
It’s that time of year once again when I look back on everything I’ve watched and read (and wonder whether I should really get out more). While my interests have become a kind of prison, I couldn’t hope for a more entertaining one. So, here’s my review of 2023. Thank you for reading my work throughout the year, wherever you may have seen it. Cinema … Continue reading 2023 Review
“But to learn to dye is better than to study the ways of dying.” – Sir Thomas Browne Writing He stalks with a lens, Short hair and floral dresses: Red, Deep red. The lens is a recollection, Occurring at a wooden desk, With a typewriter, Tapped by fingers, clothed in black leather; Dead skin masks for desperate hands. No prints. Writing violence. The lens is … Continue reading Deep Red; or Renditions of Murder
In spite of the unending calamity of the 2020s, films, books and television have still kept me going throughout 2022. Here are my highlights. Film Throughout the period of December 2021 to December 2022, I’ve watched just over 270 films. In general, I’ve focussed on my usual deep dive into the handful of national cinemas that I’m really invested in, though this year has seen … Continue reading 2022 Review
2021 has been a strange year. I’ve found it harder than 2020, in spite of getting more work and generally doing more things as we (briefly) returned to normal. It still just didn’t sit right. Perhaps it was simply because my previous years have been focussed around big projects coming out like book releases and this year was characterised by sitting on one until its … Continue reading 2021 Review
In what has undoubtedly been a cursed year, I have been thankfully kept sane by a number of things, namely films and books but also a few other outlets of frustration. Suffice to say, when you’re taking solace from a hobby for which the tagline is ‘In the grim darkness of far future, there is only war’, you can bet it has been a pretty … Continue reading 2020 Review
The London of my mind’s eye is still shabby and industrial. It is not built on the reality of its modern identity but from its documentation and portrayal in older books, television and film, even more so than ever due to lockdown. This London is not one filled with looming, luxury high-rises like the horrors in Nine Elms, nor is it the city that turned … Continue reading Trailer: Factory (Derek Raymond) – LWT, 1976
Chantal Akerman’s early features have one aspect in common: all are suffused with loneliness. In her first fiction feature, Je Tu Il Elle (1974), a character wanders between lovers old and new but is always confused as to what she really wants, only really content in isolation. In Jeanne Dielman, 23 Commerce Quay, 1080 Brussels (1975), we follow a woman trapped in the monotony of a mysteriously empty everyday … Continue reading All The Lonely People
This is an edited transcript of a talk given at Norwich Castle on Tuesday the 27th of August 2019. My thanks to Dr Nick Warr and Philippa Comber for their help. Considering the wealth of photography on the walls of the Line of Sight exhibition housed next door (an exhibition detailing many photographs taken by the author for his novels), it is unsurprising to find the work … Continue reading Echoes & Imprints: Towards A Sebaldian Cinema
New Releases Happy End – Michael Haneke Faces Places – Agnès Varda The Antigone – Tacita Dean Let The Sunshine In – Claire Denis You Were Never Really Here – Lynne Ramsay I don’t get to the cinema much these days, being both skint and constantly nervous of Dolby Surround Sound which sadly gives rise to anxiety attacks. However, these are the best films I’ve … Continue reading 2018 Review
Celluloid Wicker Man 