Best New Releases. 2014 has been a year that I’ve genuinely struggled to keep up with in terms of new releases. The sheer wealth of material out there and the incessant obsession of online reviewers to desperately be up-to-date has been an interesting but ultimately fruitless exercise to try and mimic. Luckily, I’ve watched a good number of excellent films from all around the world … Continue reading 2014 Review and Top 10s.
Viewing several films by Walerian Borowczyk allows certain traits and patterns to form in regard to his filmmaking. From the extreme polar ends of Blanche (1971) to The Beast (1975), he’s a difficult to pin-down creator, though the man’s style has several factors that appear to gradually come into play. Goto, Isle of Love (1969) already conjures images simply from its title though it’s doubtful … Continue reading Goto, Isle of Love (1969) – Walerian Borowczyk (Arrow Video).
By the mid 1970s, the ease in censorship over large swaths of Europe lead to cinema pushing boundaries and taboo like the medium had never done before. The decade was awash with cinematic controversy and intelligent but often disturbing treatises on sexuality, drug culture, language, and violence. 1975 seems to be the pinnacle of the boundary pushing that started with films such as Ken Russell’s … Continue reading The Beast (1975) – Walerian Borowczyk (Arrow Video).
A palette of strange objects, muted imagery, and medieval oddness awaits the viewer of Walerian Borowczyk’s Blanche (1971); only the third feature film in one of the most surreal and haphazard cinematic careers of all European art house directors. Though now more infamous as a purveyor of perverted worlds and eventually soft-core titillation (Emmanuelle 5 in 1987 being a complicated low point), Blanche shows the … Continue reading Blanche (1971) – Walerian Borowczyk (Arrow Video).