This article was originally a paper presented at Queens University Belfast at the first Folk Horror Conference on Friday the 19th of September 2014. Introduction/Thesis. Folk horror is a strange form of media. It has a craving for the need to be defined and canonised whilst also being a sub-genre which seems inherently intuitive, especially when becoming aware of its common likenesses in films, television, … Continue reading The Folk Horror Chain.
Mythological Introduction by Philip Larkin. A white girl lay on the grass With her arms held out for love; her goldbrown hair fell down her face, And her two lips move: See, I am the whitest cloud that strays Through a deep sky: I am your senses’ crossroads, where the four seasons lie. She rose up in the middle of the lawn And spread her … Continue reading Village Green Repression in Film, Television and Philip Larkin.
Article originally published in New Empress Magazine. Being old and generally more battered, silent horror has the unnerving sense of being a genuine piece of documentation. No doubt unaware of it at the time, Benjamin Christensen’s Häxan: Witchcraft Through The Ages (1922) is a film that so embodies this accidental aspect that viewing it perhaps recalls the feeling of Ash’s discovery of The Book of the … Continue reading A Brief History of Occult and Folk Horror.
Satanism and Devil worship has been a popular topic for horror films since the genre’s first exploration of its dark ways in Benjamin Christensen’s 1922 film Haxan. The genre of occult horror saw a new golden age for itself born in the late 1950s and Hammer’s 1968 film The Devil Rides Out is a product of this re-emerging genre. Based on the classic novel by … Continue reading The Devil Rides Out – Terence Fisher (1967)