Echoes & Imprints: Towards A Sebaldian Cinema

This is an edited transcript of a talk given at Norwich Castle on Tuesday the 27th of August 2019. Detail has been edited, aspects taken out and points clarified from the original talk. My thanks to Dr. Nick Warr and Philippa Comber in particular for the help and information given both before and after the talk. Introduction Considering the wealth of imagery on the walls … Continue reading Echoes & Imprints: Towards A Sebaldian Cinema

Responses: Tacita Dean’s Berlin And The Artist (2012)

Chance played a huge role in the writing of Robert Walser. I can picture his slow meanderings around towns and valleys, spotting something that fires a brief need to write. I can see him getting excited by the way the sunlight reflects off a lake’s water in a certain way, by the fustiness of a suited man coming out of a bank, by a woman’s … Continue reading Responses: Tacita Dean’s Berlin And The Artist (2012)

Responses: Poems On Landscape and Melancholy

Throughout 2016, I’ve been trying to respond to artwork about landscape in more ways than simply essays.  I found that in trying convey work that I liked, there was only so far I could go with conventional journalistic and essay writing.  At the tail-end of each response article, I’ve been sneaking in a poem about the work and its themes so thought it would be … Continue reading Responses: Poems On Landscape and Melancholy

Responses: Disappearance At Sea (1996) – Tacita Dean.

When last in Edinburgh, I managed to catch the Another Minimalism exhibition at Fruitmarket Gallery.  The aim of the curation was to look at altered experience through the fluctuating relationships between light and colour, featuring an array of colourful, physically intangible works by the likes of Carol Bove, Robert Irwin and Ann Veronica Janssens.  The highlight, however, was a work that was more tangible, both … Continue reading Responses: Disappearance At Sea (1996) – Tacita Dean.