Some directors are very natural in their status as crowned auteur; their films always seemingly a product of their own conception which seems unavoidable to visually mistake. Seeing all of Andrei Tarkovsky’s films, this is perhaps clearer to see than most other directors. His distinctive visual style, which morphs into several similar variations, is instantly recognisable. Dripping with faded lights, distinct textures and elemental forces, … Continue reading Andrei Tarkovsky – Polaroids, Mementos and Time.