As World War Two loomed, Paul Nash's obsessions leaned towards more esoteric forms. The landscape became a fantastical entity, the realm of old magic that had already been of much interest to the artist, but one that gradually heightened as reality darkened around him once more. He moved more to photography as a medium in … Continue reading Responses: Paul Nash’s Monster Field
Throughout 2016, I've been trying to respond to artwork about landscape in more ways than simply essays. I found that in trying convey work that I liked, there was only so far I could go with conventional journalistic and essay writing. At the tail-end of each response article, I've been sneaking in a poem about … Continue reading Responses: Poems On Landscape and Melancholy
The Neolithic town of Avebury in Wiltshire has figured in much that I love for a growing number of years now. Its draw has been one that has crossed all areas of the arts that dominate my current interests, to the point where the village almost seemed to embody a fictional realm akin to Alan … Continue reading Dérives: A Journey To Avebury.
The landscape painter and augmenter, Paul Nash, had a momentary, glimpsed relationship with the Wiltshire town of Avebury. The landscape, which brims with a sense of ancientness and magic, evidently enraptured the painter for a brief spell of creative yield not simply in painting but in photography as a sideline as well. Caught in the … Continue reading Responses: Avebury Photos (1933 + 1942) – Paul Nash.