Local Haunts was released at the end of March by Influx Press, and has been on sale for around two months at the time of writing. I’ve resisted talking more about it on here so far, largely because I wanted to see what the general reaction was rather than pre-empting it. Thankfully, after having done a number of events in which the response has been … Continue reading Local Haunts (Influx Press, 2025)
It’s that time of year once again when I look back on everything I’ve watched and read (and wonder whether I should really get out more). While my interests have become a kind of prison, I couldn’t hope for a more entertaining one. So, here’s my review of 2023. Thank you for reading my work throughout the year, wherever you may have seen it. Cinema … Continue reading 2023 Review
In spite of the unending calamity of the 2020s, films, books and television have still kept me going throughout 2022. Here are my highlights. Film Throughout the period of December 2021 to December 2022, I’ve watched just over 270 films. In general, I’ve focussed on my usual deep dive into the handful of national cinemas that I’m really invested in, though this year has seen … Continue reading 2022 Review
For a long time, the only thing I ever had nightmares about was secondary school. The nightmares would vary in tone and scenario but often had several reoccurring themes. They would include the corridors of the school, the feeling of being stuck within the walls of the building and the rising embarrassment of failure in front of peers. No pleasure was greater than feeling that … Continue reading Nettles (Influx Press)
I was in a cafe in the Alésia area of Paris in 2017 trading horror stories about school days with the writer Édouard Louis when the novel potential of some of my own childhood memories became apparent. I had met Édouard through a mutual producer and we were discussing film projects that were never to materialise. Having read The End of Eddy and loved it, … Continue reading Nettles (2022, Influx Press) – Preview
Celluloid Wicker Man 