This interview was originally was published on the Small Cinema Liverpool website with thanks to Sam Meech and the BFI. However, since the closure and destruction of the cinema by Liverpool developers, the website has since been closed. This interview is saved here for posterity and in appreciation of a much underrated editor, filmmaker and artist Celluloid Wicker Man: In terms of filmmaking, how did … Continue reading Interview: David Gladwell on Cinema and Requiem For A Village
Trying to establish small cycles of trends in cinema is a key discipline in understanding the medium. When a theme can be seen to traverse genre but be defined by era, it perhaps states more of a sociological argument than simply an aesthetic or a narrative one. A particular group of films recently began to collect together in my own memory but the reason as … Continue reading The Ravenous Poor in Heath Era British Cinema.
“In documentary we deal with the actual, and in one sense with the real. But the really real, if I may use that phrase, is something deeper than that. The only reality which counts in the end is the interpretation which is profound.” – John Grierson. With Sight & Sound’s recent poll for best documentaries (September 2014), I wanted to explore some of the British … Continue reading Great British Documentaries
Saxon Logan is a director whose work in film and documentary is well praised. With the recent release of his most famous film, Sleepwalker, on the BFI Flipside label, I tracked the director down to ask him about his past, his friendships with some of the most important people in British film and his own superbly idiosyncratic work. A full review and analysis of the … Continue reading Interview with Saxon Logan (Sleepwalker, Stepping Out, Working Surface).
The latest release in the BFI Flipside series revels in the social satire of its era with glee. Though of course the main draw of the release will be Saxon Logan’s main feature, Sleepwalker (1984), the release itself is built up to make a whole package of potential double and even triple bills of viewing; some Logan themed, some nocturnal themed. The main feature simply … Continue reading Sleepwalker (1984) – Saxon Logan, BFI Flipside.
David Gladwell may be more well known as Lindsay Anderson’s editor on such cinematic masterpieces as If…. (1968) and O Lucky Man! (1973) but his own directorial endeavours are equally worthy of discussion and analysis, especially in their relation to both his editorial work and his own creative trajectories. Whether it is the, very English, visual language of his first four short films or the … Continue reading The Early Short Films of David Gladwell.
That natural progression from film critic to filmmaker seems to be a route rarely traversed these days. The natural opposite of this is often a more comfortable way to explore both the medium and the craft, with many filmmakers writing books specifically after they’ve established a film career. Along with renowned critic and filmmaker, Francois Truffaut, director and critic Lindsay Anderson is one of the … Continue reading If… – Lindsay Anderson (1968)