Accumulation in Jacques Rivette’s La Belle Noiseuse (1991)

For a while after watching Jacques Rivette’s La Belle Noiseuse (The Beautiful Troublemaker, 1991), I repeatedly heard the sound of ink scratching from a nib onto rough paper and canvas. This action occurs throughout the almost four hour long film, to the point where the process of painting – from its earliest preparatory sketches to a devilish, unseen final canvas – feels almost conveyed in … Continue reading Accumulation in Jacques Rivette’s La Belle Noiseuse (1991)

Cartographic Time In Jacques Rivette’s Le Pont Du Nord

In 1946, Jorge Luis Borges published the micro-short story, On Exactitude In Science. The piece is a fictionalised fragment, supposedly taken from Viajes de varones prudentes, Libro IV, Cap. XLV, Lérida, (1658) written by the equally fictional Suárez Miranda. The piece addresses the role of perception in cartography, relying on the irony of mapmakers attempting to make a 1:1 scale map of a place; the … Continue reading Cartographic Time In Jacques Rivette’s Le Pont Du Nord