Welcome to this year’s End of Year review; my usual, long-winded run-down of my excessive viewing and reading habits. It’s been an exhausting but rewarding year of films, television and books, and the sheer length of this post should evidence that. One interesting thing to note is how much happier I feel having virtually ignored the majority of post-2010s culture. Such a decision was not … Continue reading 2024 Review
‘The notion that one day the red dawn will indeed break over Clapham,’ wrote Angela Carter in a letter to Lorna Sage, ‘is the one thing that keeps me going.’ From having read several of Carter’s works over the years, all of which have had a variety of profound effects upon my own writing, her relationship to London has since intrigued me. When first on the train down … Continue reading Wanders: Angela Carter’s House
“Witness, for instance, the establishment of settled ‘alternative’ or ‘independent’ cultural zones, which endlessly repeat older gestures of rebellion and contestation as if for the first time.” – Mark Fisher The Longplayer walk ghosts a route to be taken on the 21st of June for a day long walked festival of arts in celebration of Jem Finer’s work. Information on the Longplayer event, featuring an … Continue reading Wanders: Longplayer (New Cross to Trinity Buoy Wharf)
When recently interviewing the writer and filmmaker, John Rogers, the setting of our meeting place in Stratford played heavily upon my mind. Such was the contrast between so many of the buildings and spaces within the area that many ideas came about just from a quick meander around its many new developments. Because of this we agreed to reconvene at the place a few weeks … Continue reading Wanders: Planet Stratford with John Rogers (London).
John Rogers has been one of the most prominent psychogeographical writers and filmmakers of the last decade. Fiercely independent and with a strong DIY sensibility towards his creative responses to London, his work is a vital component and documentation of a city still in a phase of hyper-development and gentrification. Ahead of his adaptation/response to Iain Sinclair’s most recent book, London Overground, I met up … Continue reading Interview: John Rogers on London Overground and Psychogeography.
My walk around Harold Pinter’s old haunts in the east end of London has produced a number of written accounts now that, with the film that sparked of the whole venture being finally public, I’m not quite sure what else to say about it. The idea for the walk came about when I saw the, since frustratingly taken down, Harold Pinter Arena documentary which spent a … Continue reading Short Film – A Walk By Waiting (Harold Pinter, Iain Sinclair).
Above is the trailer for a very short fragment of film made in collaboration with the writer, Iain Sinclair. Though I had been thinking about doing something with the poems of Harold Pinter for the some time, I had left it to stew away rather than properly organise it as with other, simpler films. With initially failing to get in touch with Iain, I had … Continue reading Trailer – A Walk By Waiting (Pinter/Sinclair).
The Menhir Motorway is the first film of 2016 and it should set the tone for the rest of the year’s projects. Having filmed in late December, a mere few days before Christmas in the freezing edge-lands of Wallasey on The Wirral with the help of my girlfriend, Lauren (who took all of the proceeding digital photos of the shoot), the film has been gently … Continue reading Short Film – The Menhir Motorway.
On watching all of Patrick Keiller’s “Robinson” trilogy of films recently, it struck home how effectively stillness within a visual frame can traverse the geographical plain and recreate a journey that is both political and sociological. This, of course, goes to the heart filmmaking itself, the relationships with cuts especially and its portrayal of time, space and movement within a diegetic reality all being key … Continue reading Stasis In London (1994) – Patrick Keiller.
Dear Joe, I’d like to walk with you From Clapton Pond to Stamford Hill And on… – Harold Pinter Harold Pinter liked walking around London. It is easily forgotten how vital walking around the capital was for him when considering how claustrophobic much of his theatre work is. Yet there is still a sense of place in his work, often highlighting many of his characters’ … Continue reading Walking On and On with Harold Pinter
Celluloid Wicker Man 