One of Universal’s best efforts within the gothic tradition, 1941’s The Wolf Man is one of the studio’s best horror films from its golden era. Though its director isn’t well known for his horror, the success of this feature is no doubt down to borrowing certain stylistic elements from Universal’s most innovative horror director, James Whale. George Waggner’s film could easily be a Whale film, … Continue reading The Wolf Man – George Waggner (1941)
Horror films were slow on the upkeep when it came to electronic music. Though elements of it were being used in other genres before 1968, electronic music didn’t really reach horror until the late sixties. The exact date of the first use of electronic score has been attributed to various films; largely Cold War fare such as The Day the Earth Stood Still (1951) and Invasion of the … Continue reading The Horror Score Rebellion Part 2 – Night Of The Living Dead And The Electronic Score.
Having hit gold with their adaptations of Universal classic horrors Frankenstein (Curse of Frankenstein, 1957) and Dracula (Horror of Dracula, 1958), Hammer delved further into the back catalogue of monsters and villains in its 1959 production, The Mummy. Unlike the previous two adaptations, this one seems relatively similar to its Universal predecessor in tone and feel, making it feel like a necessity for the company … Continue reading The Mummy – Terence Fisher (1959)
Having taken a break for the sequel to 1958’s Dracula, the Count returned to Hammer after having left all the hard work to Baron Meinster in 1960’s Brides of Dracula. 1966’s Dracula Prince of Darkness is missing only one element that would allow it to become the strongest in Hammer’s canon. Christopher Lee returns as the count but sadly missing from the film is Peter … Continue reading Dracula: Prince of Darkness – Terence Fisher (1966)
The sub-genre of Folk Horror is possibly the oddest mixture of ideals and ideas ever to join in the world of cinema. Trying to envision a genre taking best aspects from Folk tradition and mix it with the scary and disturbing edges of Horror can be difficult to imagine. However, amongst this small group of films, all of which are brilliant, sits one that transcends the … Continue reading The Wicker Man – Robin Hardy (1973)
Thanks to films like Nakata’s Ringu and Shimizu’s Ju-On (The Grudge), Japanese horror is part of the popular pantheon of horrific cinema. Many ghost films of the West borrow heavily from these two films but because of their enormous success, it seems that Kaiden (Japanese ghost stories) of the past are often overlooked for their more thrillingly modern counterparts. Looking past this injustice, it can be stated that Masaki … Continue reading Kwaidan – Masaki Kobayashi – (1964)
When looking into the history of film titles, there surely cannot be one more controversial and loaded than The Texas Chainsaw Massacre? It’s a vicious, daring piece of marketing that implies what’s in store is something altogether grim and deeply disturbing as well as graphically violent. Thankfully the film in question is far more intelligent than that and is most definitely not to be confused with the recent … Continue reading The Texas Chainsaw Massacre – Tobe Hooper (1974)
As mentioned in the vintage horror article, here is a guide to the best of Hammer Horror films. It’s a name that isn’t as familiar as it should be in film circles, mainly because critical overviews often find the more snobbish of film reviewer calling them too tongue in cheek or camp. Hammer Horror films are so much more than this though and I hope … Continue reading A Beginner’s Guide to Hammer Horror.