Peeping Tom (Michael Powell,1960) – Aural Perspectives of Murder.

In spite of its very energetic reappraisal and various analyses, Michael Powell's career destroying masterpiece, Peeing Tom (1960), is a film whose musical eccentricities and sound design contain hidden depths. For a film that appears on the surface to be almost excessively Freudian, this was normal yet, when looking at some of the detailed reappraisals … Continue reading Peeping Tom (Michael Powell,1960) – Aural Perspectives of Murder.

The Wicker Man (1973) – Defining Of The Folk Horror.

Its geography is stark, rugged and eerily inviting, its characters are sickly happy and lying through their teeth and its narrative is immersive and questioning to the point where its finale is deeply affecting and horrifying. It's a crying shame that viewers of The Wicker Man (1973) will never fully see the film as its … Continue reading The Wicker Man (1973) – Defining Of The Folk Horror.

Berberian Sound Studio – Part 2 (The Sound of the Giallo and Narrative Sounds)

Part 1. The Sound of the Giallo There are certain facts about the Giallo sub-genre that critics enjoy repeating over and over again.  It seems unlikely that viewers approaching Berberian will not know at least something basic about the genre yet it is still something that takes up such a large chunk of the analysis … Continue reading Berberian Sound Studio – Part 2 (The Sound of the Giallo and Narrative Sounds)

The Horror Score Rebellion – Part 3 (Rosemary’s Baby And Popular Music In Horror)

Though 1968 may best be remembered for Romero’s zombies, another film released that same year had a similar impact to the way horror films in the subsequent decade were scored. Rosemary’s Baby, directed by Polish émigré Roman Polanski, has a legacy of imitators that developed from its scoring techniques. Polanski’s tale of the occult in a … Continue reading The Horror Score Rebellion – Part 3 (Rosemary’s Baby And Popular Music In Horror)

A Brief History of Occult and Folk Horror.

Article originally published in New Empress Magazine. Being old and generally more battered, silent horror has the unnerving sense of being a genuine piece of documentation.  No doubt unaware of it at the time, Benjamin Christensen’s Häxan: Witchcraft Through The Ages (1922) is a film that so embodies this accidental aspect that viewing it perhaps recalls … Continue reading A Brief History of Occult and Folk Horror.

The Fall Of The House Of Usher – Roger Corman (1960)

Roger Corman’s work has been often been described as schlock film; a pulpy mass of horror, sci-fi and B-movie nonsense of only vague merit and achievement.  Excluding his actual films for a minute, looking at the number of people who have developed under the man’s wing, whether as a producer or director, is quite astounding.  … Continue reading The Fall Of The House Of Usher – Roger Corman (1960)