Part 1. Part 2. Emphasis on Acousmatic Concepts in Ross J. Fenimore’s “Voices that Lie Within”. “Psycho almost didn’t happen. This is a unique case of music literally saving a film.” – Sullivan (2006, p.246). Like much literature around Psycho, Fenimore’s “Voices That Lie Within” begins its argument with setting the scene. “Psycho begins with a theft.”(2010, p.80) he begins as so many often do. … Continue reading Analysis of Sound and Music in Alfred Hitchcock’s Psycho (1960) – Part 3 (Acousmatic Concepts)
Hitchcock’s early British films tend largely to be devoid of the interesting, endlessly analysable scores his later films have, (thanks mainly to Bernard Herrmann being sat at the musical helm). It seems to have been an almost standard practice to use a handful of musical scores or fragments in the occasional scene but to largely leave the films musically blank outside of their opening and … Continue reading The Lady Vanishes (Alfred Hitchcock, 1938) – Early Uses of Musical, Narrative Tools.
Part 1 Part 2 Part 3 Part 4 Part 5 The Sounds of the Past “To this inexorable, insidious awareness of your own dependence on your past, like an illness that grows even harder to bear, I gave the name “Nostalgia”…” (Tarkovsky, 1986, p.206) One of Distant Voices, Still Lives’ key differences to all that had gone before in the canon of British working class … Continue reading Distant Voices, Still Lives – Sounds of the Past. (Part 2)
Part 1 Part 2 Part 3 The Reception of Blue in New Technological Forms and Contexts. “The degree to which the spectator identifies with the diegesis as his/her own hallucination fluctuates from spectator to spectator, from narrative moment to moment, from genre to genre.” (Gorbman, 1987, p.45). It is very hard to experience Blue today in the intended format that Jarman produced it in. This … Continue reading The Problematic Reception of Derek Jarman’s Blue – Part 4 (New Technological Contexts).
Part 1 Part 2 Part 3 The Loneliness of the Long Distance Runner. The Metaphorical Use of Diegetic Sound and Music. The Loneliness of the Long Distance Runner has several different uses of sound; two of which aren’t musical. The title perhaps gives a hint that the sound of running feet on a hard ground will play a vital role in the film. This rhythmic, … Continue reading The Loneliness of the Long Distance Runner – Use of Music and Sound In British Working Class Film (Part 4).
Part 1 Part 2 Blue’s cinematic screening – Readings, Reception and Contradictions. “Whilst homosexuals die, many heterosexuals reach for the remote control and simply turn up the volume. Does it come in stereo?” (Jarman, 1993, p.138) The screening of Blue in cinemas during its 1993 release date is its most typical form though screenings were rare and often film festival based rather than through a … Continue reading The Problematic Reception of Derek Jarman’s Blue – Part 3 (Cinematic Screenings).
It is an oft stated belief that silence is the most powerful effect in the canon of film sound techniques and tricks; a seemingly obvious nod to the lack of music to the lead the viewer emotionally and also a gentle nudge at the general over abundance of non-diegetic score in film. One of the most stark and allegorical uses of silence can be found … Continue reading Silence as Resistance – Le Silence De La Mer (Jean-Pierre Melville)