Tag: Celluloid Wicker Man

Film, Film Music and Sound

The Horror Score Rebellion – Part 3 (Rosemary’s Baby And Popular Music In Horror)

Though 1968 may best be remembered for Romero’s zombies, another film released that same year had a similar impact to the way horror films in the subsequent decade were scored. Rosemary’s Baby, directed by Polish émigré Roman Polanski, has a legacy of imitators that developed from its scoring techniques. Polanski’s tale of the occult in a Manhattan apartment block primarily employs a classical score but large … Continue reading The Horror Score Rebellion – Part 3 (Rosemary’s Baby And Popular Music In Horror)

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Film

BFI Fairy Tales – Early Colour Stencil Films From Pathé (1901 – 1908)

There’s something startling about just how inventive cinema was in the early days of its creation.  Whereas other artistic mediums have taken hundreds of years to bear fruit, film seemed to have caught on to what it was about mere years after its very conception.  Ranging from 1901 to 1908, the films in the BFI Fairy Tales release show a frank endorsement of both storytelling … Continue reading BFI Fairy Tales – Early Colour Stencil Films From Pathé (1901 – 1908)

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Film, Interview, Landscape

Interview with Ben Rivers

Originally published in ACE Magazine. Ben Rivers is one of Britain’s leading experimental filmmakers, broaching the ground between narrative and documentary film. He has been making short films since 2003 but has recently risen in popularity due to the release of his first feature length film Two Years At Sea in 2011. Rivers is famed not just for creating haunting visuals but also for using … Continue reading Interview with Ben Rivers

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Film, Film Music and Sound

Avant Godard! – Part 2, Musical Subversion (Bande à Part and Pierrot Le Fou)

Part 1. Ideas In Later Films By Godard. Godard would continue to subvert the role of record players in his work to similar but more extreme effects. It seems odd that the connecting factor to all the scenes mentioned is the presence of his, then wife, Anna Karina.  Godard is capable of presenting her dancing and singing with a relatively normal relationship between the visual … Continue reading Avant Godard! – Part 2, Musical Subversion (Bande à Part and Pierrot Le Fou)

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Film, Film Music and Sound

Avant Godard! Musical Subversion In The Films Of Jean-Luc Godard. (Part 1)

Avant Godard! Musical Subversion And Fictional Interaction With Non-Diegetic Music In The Films Of Jean-Luc Godard. Introduction – French New Wave As Avant Garde. When discussing Avant Garde cinema, the most obvious choices of cinematic subject would no doubt be linked to the likes of Dali, Buñuel and Cocteau.  However, the gradual movement from Avant Garde to Art House cinema presents a more interesting case for Avant Garde … Continue reading Avant Godard! Musical Subversion In The Films Of Jean-Luc Godard. (Part 1)

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Film, Folk Horror

Kuroneko – Kaneto Shindo (1968)

Despite the horrific elements contained within, Kuroneko is ill served by being pigeon holed into the genre of horror.  The genre as a whole has a huge spectrum of intelligence and allegory but there’s more to Kaneto Shindo’s film than this, quite malleable, label.  It of course gives scares, and Japanese “horror” is well ahead of the western game in terms of sheer scare value but its … Continue reading Kuroneko – Kaneto Shindo (1968)

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Art, Film, Landscape

Herzog + Postgate = Fischli and Weiss? (Art Shaped Liverpool)

Recently I’ve been lucky enough to be involved with a new project company in Liverpool called Art Shaped.  The article below is a response to viewing The Right Way by Fischli and Weiss which was especially imported from a gallery in Switzerland.  The project produced a zine which is where this article can be originally found and was given out at the screening.  Along with other articles, … Continue reading Herzog + Postgate = Fischli and Weiss? (Art Shaped Liverpool)

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Folk Horror, Literature, Television

BBC Ghost Stories – Volume 5 (A View From A Hill, Number 13) BFI.

This review contains minor spoilers. The final instalment of the BBC Ghost Stories sees a return to form from the haphazard final days of the original 1970s specials.  Though, as previously discussed in the review of Volume 1’s 2012 adaptation of Whistle And I’ll Come To You, recent attempts to carry on the tradition is automatically up against a monumental past whose shadow is hard … Continue reading BBC Ghost Stories – Volume 5 (A View From A Hill, Number 13) BFI.

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Folk Horror, Landscape, Literature, Television

BBC Ghost Story Location Visits – A Warning To The Curious.

Recently I’ve been lucky enough to travel to one of the most beautiful parts of the United Kingdom; the north Norfolk coast.  I’ve been coming here since I was little but only recently it has taken on a new light and ethos in terms of filming potential.  In the last few months, I’ve been lucky enough to preview all five discs of the BBC Ghost … Continue reading BBC Ghost Story Location Visits – A Warning To The Curious.

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Folk Horror, Literature, Television

BBC Ghost Stories Volume 4 (The Signalman, Stigma, The Ice House) – BFI

Volume 4 of the BBC Ghost Stories At Christmas is a mixed bag of the eerie and the spooky.  Housing the last three instalments of the classic series before it ceased until its revival in 2005, it’s a must buy for one of the stories but its other two instalments wobble its consistency.  The most appealing aspect of this release is that it contains possibly … Continue reading BBC Ghost Stories Volume 4 (The Signalman, Stigma, The Ice House) – BFI

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