Director Digby Rumsey sees his BFI DVD debut this month on the Flipside release of Leslie Megahey’s Schalcken the Painter. Rumsey is a traditional BFI director, coming from the same ranks as Terence Davies, Bill Douglas and Peter Greenaway. His work in Gothic short films, especially adaptations of work by Lord Dunsany, places him firmly in the British Gothic traditions of directors such as Jonathan … Continue reading Interview With Digby Rumsey (BFI Flipside, The Pledge).
Volume 4 of the BBC Ghost Stories At Christmas is a mixed bag of the eerie and the spooky. Housing the last three instalments of the classic series before it ceased until its revival in 2005, it’s a must buy for one of the stories but its other two instalments wobble its consistency. The most appealing aspect of this release is that it contains possibly … Continue reading BBC Ghost Stories Volume 4 (The Signalman, Stigma, The Ice House) – BFI
This review contains spoilers. The second release of the BBC Christmas ghost stories finds the real birth of it as a staple of the wintery Christmas nights of the 1970s and showcases the first two of five serials by Lawrence Gordon Clark. Though both of the stories are again M.R James adaptations the connecting factor here, apart from being chronologically accurate, is the inclusion in … Continue reading BBC Ghost Stories – The Stalls of Barchester/A Warning To The Curious (1971/1972)
The first of the two BFI releases due out on the 20th of August, this double bill of the classic BBC ghost story adaptations sets the tone for the future releases while also justifying the detail and time put into them. This release contains both adaptations of perhaps M.R. James’ most famous short tale and the release plays wonderfully on the natural juxtaposition of the two … Continue reading BBC Ghost Stories – Whistle And I’ll Come To You (1968 & 2010).
When talking about Japanese cinema, the era of its golden age dominates most discourse on the subject. Writers often discuss “the big three”- the three defining directors of the era that put Japan on the cinematic map as well as influence a large amount of creative’s outside of Japan. Yasujirō Ozu and Kenji Mizoguchi are both experts in maverick filmmaking but approaching this canon of … Continue reading Yojimbo – Akira Kurosawa (1961)