Salthouse Marshes began life in a strange way. Having chatted about adapting Algernon Blackwood’s The Willows with Robert Macfarlane (who had wanted to re-set it in England), there was always to be a “haunted waterway” film on the cards. But, after constant reading of the narrative of The Willows, the thought of organising the filming on two boats and on celluloid simply proved too intimidating. … Continue reading Short Film – Salthouse Marshes
There is no excerpt because this is a protected post. Continue reading Protected: The Aural Aesthetics Of Ghosts in BBC Ghost Stories – Part 9 (Conclusions).
There is no excerpt because this is a protected post. Continue reading Protected: The Aural Aesthetics Of Ghosts In BBC Ghost Stories – Part 8 (The Signalman).
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(Watch in at least 480p.) I’ve been sitting on this ghost story for a while having finished it late in the summer. Even though I was excited to get something out there that I was actually happy with, it just didn’t feel right putting out a ghost story when it was still warm outside. The Coastal Path is destined to be part the Coven exhibition … Continue reading Short Film – The Coastal Path.
There is no excerpt because this is a protected post. Continue reading Protected: The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 4 (Music).
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There is no excerpt because this is a protected post. Continue reading Protected: The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 1 (Introduction).
Celluloid Wicker Man 