Best New Releases. 2014 has been a year that I've genuinely struggled to keep up with in terms of new releases. The sheer wealth of material out there and the incessant obsession of online reviewers to desperately be up-to-date has been an interesting but ultimately fruitless exercise to try and mimic. Luckily, I've watched a … Continue reading 2014 Review and Top 10s.
A palette of strange objects, muted imagery, and medieval oddness awaits the viewer of Walerian Borowczyk's Blanche (1971); only the third feature film in one of the most surreal and haphazard cinematic careers of all European art house directors. Though now more infamous as a purveyor of perverted worlds and eventually soft-core titillation (Emmanuelle 5 … Continue reading Blanche (1971) – Walerian Borowczyk (Arrow Video).
The excessive nature of the 1980s made it a perfect realm for an equally excessive horror cinema. While simplifying the decade to its trivial sound bites of bright, electronic yuppyism may be too all encompassing as a genuine historical analysis, this summation of criteria is perfect when discussing the decade's cinema. Cinema is so often … Continue reading Tenebrae – Dario Argento (1982) – Arrow DVD SteelBook.
In contrast to other cineastes that I follow online, I really don't get out that much. While so many excellent film writers seem to be able to see every relevant new release as it comes (even before if they're lucky enough to have time and money to get thoroughly into the festival circuit), it's actually … Continue reading 2013 in Film.
In vampire films of the past, the mere label of the main villain as a vampire or a child of the night, almost justifies and forgives their actions. When Bela Lugosi or Christopher Lee have to seduce in order to attain for their nightly fix of blood, the label of vampire forgives their action as … Continue reading Martin – George A. Romero (1976)