Part 10 Over time, we become strangers to ourselves in Polaroids. We take them, not to create memories, but to help retain them. Sometimes this is unnecessary. At other times, it is essential if we want to remember moments in our lives. This is an idea realised perfectly in Christopher Nolan’s debut feature, Memento (2000). It is a film that essentially sits on the cusp … Continue reading Presence, or Polaroid Ghosts (Part 11)
Part 9 In 1859, the Harvard poet and medical professor Oliver Wendell Holmes described photography in a much earlier guise as being a ‘mirror with a memory.’ One aspect lost in this oft-quoted soundbite by the noted medical reformer was that he was discussing photography as explicitly producing an object. It is the photograph that is the mirror because the viewer can look and see … Continue reading Presence, or Polaroid Ghosts (Part 10)
Part 2 ‘We were here, too, once and please take care of us for a while.’ ‘With digital technology,’ wrote memoirist Annie Ernaux, ‘we drained reality dry.’ As digital creatures, we carry out an endless taxidermy upon our experiences in the ever frenzied pursuit of content. Ernaux’s poignant criticism echoes Susan Sontag’s earlier weariness at what cameras had done to our ability to simply live, … Continue reading Presence, or Polaroid Ghosts (Part 3)
Celluloid Wicker Man 