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Folk Horror: Hours Dreadful and Things Strange (January, 2017)

As recently announced, I have a book being released in January all about Folk Horror and its many related areas of interest.  The book has been in the works for the last year or so though many of the arguments within have been growing now for several years.  Though I'll undoubtedly being doing the usual … Continue reading Folk Horror: Hours Dreadful and Things Strange (January, 2017)

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Dérives: Planet Stratford with John Rogers (London).

When recently interviewing the writer and filmmaker, John Rogers, the setting of our meeting place in Stratford played heavily upon my mind.  Such was the contrast between so many of the buildings and spaces within the area that many ideas came about just from a quick meander around its many new developments.  Because of this … Continue reading Dérives: Planet Stratford with John Rogers (London).

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Responses: Tessa Farmer’s La Chasse (2016)

I first encountered the work of Tessa Farmer during a rainy daydream in Saatchi Gallery a few years back.  It was a strange experience as, staring at her Swarm (2004) piece, it took a while to pinpoint exactly what was unnerving about the work.  The discovery of a micro-agency controlling the taxidermic happenings in the … Continue reading Responses: Tessa Farmer’s La Chasse (2016)

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The Ghost In The Grain – Folk Horror Revival @ The British Museum (16/10/2016).

This presentation was originally given at the Folk Horror Revival day at The British Museum (16/02/2016).  My thanks to the fellow admins of the Folk Horror Revival, especially Jim Peters and Andy Paciorek. There's an overt connection between analogue technology and the narratives surrounding paranormal activity in British horror, especially when made during the 1970s.  … Continue reading The Ghost In The Grain – Folk Horror Revival @ The British Museum (16/10/2016).

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Responses: Keith Arnatt’s A.O.N.B (1982-1984).

The photography series, Areas Of Outstanding Natural Beauty (1982-1984), was the first work I came across by Keith Arnatt.  This was some time before he would eventually be back in vogue thanks to Tate Britain's well received conceptual exhibition, of which his most famous work, Self Burial (1969), was the publicity image for.  Very much … Continue reading Responses: Keith Arnatt’s A.O.N.B (1982-1984).