Trailer – Holloway (Robert Macfarlane).

Above is the trailer for the film that I have been working on with Robert Macfarlane.  Only recently, upon reading a Wikipedia entry no less, did I discover that it is an adaptation of a “Sunday Times best-seller”.  Perhaps it is best to ignore the pressure of this in spite of the article actually putting my name to the project.  As the edit progresses, Holloway … Continue reading Trailer – Holloway (Robert Macfarlane).

Short Film – Weirdstone (For Alan Garner).

“It is for this reason that we find that co-existence, which could neither be in time alone, for time has no contiguity, nor in space alone, for space has no before, after, or now, is established through matter.” (p.12, 1891) – Schopenhauer, The World As Will And Idea Volume 1. It seems fitting to open with this quote from Schopenhauer when discussing the themes behind … Continue reading Short Film – Weirdstone (For Alan Garner).

Filming In The Holloways.

As some may know, I’m currently engaged in a collaborative project with the writer, Robert Macfarlane, and also in periphery with the artist Stanley Donwood.  Our aim is to produce a short visual summation of the fragmented novella booklet that Robert and Stanley released, together with writer Dan Richards, all about the Holloways of Dorset.  These Holloways are sunken paths; pathways that have grown into … Continue reading Filming In The Holloways.

Perception Of Landscape in A Journey To Avebury (1971) – Derek Jarman.

Out of all of Derek Jarman’s pre-feature length film work, his short capture of a 1971 walking trip, A Journey To Avebury, is perhaps his most interesting and subtly complex piece of short film work.  These were the early days of Jarman’s experimentation when his work as a painter and even a set designer still seemed to dominate over his purely cinematic interests.  This was … Continue reading Perception Of Landscape in A Journey To Avebury (1971) – Derek Jarman.

Red Shift (Play For Today, 1978) – John Mackenzie (BFI).

A shifting sense of time, space, and place can bring huge advantages to fantastical works of fiction.  The feeling that time is a folded concept, repeating and resetting in a quasi-ritualistic ceremony of life adds a sheen of the monumental to even the smallest and most intimate of dramas.  This sheen is the absolute embodiment of the work of writer, Alan Garner, and is never … Continue reading Red Shift (Play For Today, 1978) – John Mackenzie (BFI).