Above is the trailer for a very short fragment of film made in collaboration with the writer, Iain Sinclair. Though I had been thinking about doing something with the poems of Harold Pinter for the some time, I had left it to stew away rather than properly organise it as with other, simpler films. With initially failing to get in touch with Iain, I had … Continue reading Trailer – A Walk By Waiting (Pinter/Sinclair).
This is an edited version of the paper given at Spirits Of Place in Calderstones Park, Liverpool 02/04/2016. My thanks to John Reppion and Leah Moore for organising the event and for to the other excellent speakers (Gill Hoffs, David Southwell, Gary Budden, Kenneth Brophy, Richard Macdonald, Ian “Cat” Vincent and Ramsey Campbell). Here’s to the next one. There is strange landmass on the opposite … Continue reading “Wyrd” Wirral – Spirits Of Place (02/04/2016)
It’s an oft-stated critique of Liverpool city centre in recent years that it’s become an increasingly oversized student campus as opposed to a city. A number of local writers and commentators, including an excellent summation earlier in the year by Seven Streets, have mentioned the suspiciously sheer abundance of developments comprising purely of student accommodation within the centre though it has rarely been quantified as a reality if … Continue reading Wanders: Student Flatopia (Liverpool)
Henry Moore enjoyed the grazing calmness of sheep. The animals stand out in the landscape in the same, oblique way as his own sculptures, simultaneously fitting in and seeming anomalous. They litter the vista in a way that is puzzling and warmly mysterious. Writer Roger Deakin recognised this relationship himself when walking the Rhinogs. He wrote of seeing that same relationship that sparked Moore’s fascination … Continue reading Responses: Henry Moore’s Sheep Sketchbook (1980)
The Menhir Motorway is the first film of 2016 and it should set the tone for the rest of the year’s projects. Having filmed in late December, a mere few days before Christmas in the freezing edge-lands of Wallasey on The Wirral with the help of my girlfriend, Lauren (who took all of the proceeding digital photos of the shoot), the film has been gently … Continue reading Short Film – The Menhir Motorway.
On watching all of Patrick Keiller’s “Robinson” trilogy of films recently, it struck home how effectively stillness within a visual frame can traverse the geographical plain and recreate a journey that is both political and sociological. This, of course, goes to the heart filmmaking itself, the relationships with cuts especially and its portrayal of time, space and movement within a diegetic reality all being key … Continue reading Stasis In London (1994) – Patrick Keiller.
When last in Edinburgh, I managed to catch the Another Minimalism exhibition at Fruitmarket Gallery. The aim of the curation was to look at altered experience through the fluctuating relationships between light and colour, featuring an array of colourful, physically intangible works by the likes of Carol Bove, Robert Irwin and Ann Veronica Janssens. The highlight, however, was a work that was more tangible, both … Continue reading Responses: Disappearance At Sea (1996) – Tacita Dean.
Above is the trailer for the first film project of 2016, The Menhir Motorway. The film has been slightly delayed due to missing virtually all possible deadlines in regards to getting the film developed but it is now well on its way to being finished. Unlike virtually every other landscape short that I’ve made, this is one about an area that is personal to me, … Continue reading Trailer – The Menhir Motorway.
The Discreet Charm Of The Bourgeoisie (1972) is a perfect example of a narrative film fragmenting into surreal dreamscapes. From its title alone, Luis Buñuel’s obvious target is middle-class idolatry but, for a film full of incredibly stark images, there is one visual motif which stands out from the other surrealist political attacks. Discreet is punctuated, whether in dreams or reality (or perhaps both), by … Continue reading The Nowhere Road in The Discreet Charm Of The Bourgeoisie (1972)
‘When I was not confined to the house, I would spend my days and my nights on the Edge.’ – Alan Garner On a frosty but sunny January morning, I was steadily making my way along the M56 towards Macclesfield. I was on my way to Alderley Edge in Cheshire, the stalking ground of writer Alan Garner. In 2015 I had made this journey in … Continue reading Alan Garner’s Edge
Celluloid Wicker Man 