The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 2 (The Disembodied Voice).

Part 1. The Aural-Thematic Ties In BBC Ghost Stories. “He first began to write the ghost stories for which he is now famous in late 1892 or early 1893 while he was a fellow of King’s.  They were composed initially to be read aloud in his college rooms as a Christmas treat for his friends.”-  Oliver (p.15, 2012). When looking at the source material for … Continue reading The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 2 (The Disembodied Voice).

A Brief History of Occult and Folk Horror

Article originally published in New Empress Magazine. Being old and feeling almost excavated from some grainy piece of earth, silent horror has the unnerving sense of being a genuine piece of documentation. No doubt unaware of it at the time, Benjamin Christensen’s Häxan: Witchcraft Through The Ages (1922) is a film that so embodies this accidental aspect that viewing it recalls the feeling of Ash’s … Continue reading A Brief History of Occult and Folk Horror

The Horror Film Score Rebellion Part 1 – Classic Horror

INTRODUCTION 1968 was the year that horror cinema sought to change the way in which it scored its films and began to develop alternatives to the increasingly cliched sounds that had become a staple of the genre since the silent era. David Raskin, who had scored the first two Basil Rathbone-starring Sherlock Holmes films in the early thirties, as well as a number of film … Continue reading The Horror Film Score Rebellion Part 1 – Classic Horror