With the ideas of the Folk Horror Chain starting to seem incomplete as the sub-genre grows in popularity and is more analysed, it’s about time further facets, themes, ideas and traits were added to the conversation. This will be the first in a number of pieces about other traits not accounted for or addressed in the initial idea of the chain (which itself was only … Continue reading The Ritual Of Craft In Folk Horror.
Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7. Part 8. Conclusions. “If its central characteristics remained immune to change, the ghost story did keep pace with the times through progressive modernization of settings and language.” – Cox (xix, 1991). From analysis of the BBC Ghost Stories, it is clear that the narrative function of the supernatural has a natural … Continue reading The Aural Aesthetics Of Ghosts in BBC Ghost Stories – Part 9 (Conclusions).
Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. “The Ghost In The Machine”: The Haunting Nature Of Unnatural Diegetic Sound. “M.R. James’ objects are imbued with our deepest fears, deepest terrors and resonances. The whistle can bring up a storm or bring a monster from the deep. The crown, that if you touch, its guardian will tear you to pieces.” – … Continue reading The Aural Aesthetics Of Ghosts In BBC Ghost Stories – Part 7 (Haunted Objects).
Part 1. Part 2. Part 3. Nondiegetic Musical Themes And Textures. “Indeed, the celestial voices of film music do resemble a phantom in several significant ways. They are ephemeral, they are not ‘substantial’ or do not constitute part of what audiences cognise as important in the film, and have an effect that is not apparent.” – Donnelly (p.8, 2005). Though looking at nondiegetic scores for … Continue reading The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 4 (Music).
Part 1. Part 2. A “Disembodied Voice” of some form is a clear norm for representing a creature that, by its very definition, is now bodiless. This means that, as an aural technique, it is used frequently throughout many other ghost stories as well. In Lawrence Gordon Clark’s films, the aural trait occurs several times with different and varying effects, though never with the layered … Continue reading The Aural Aesthetics of Ghosts in BBC Ghost Stories – Part 3 (William Ager).
This articles contains minor spoilers. Holding the record at the time for being the only play in the BBC Play For Today series to be repeated, James MacTaggart’s Robin Redbreast has an aptly cult aura surrounding it. First broadcast in the “spooky” slot (a December time tradition since Dickens’ era) in 1970, it manages to foreshadow a number of interesting movements in film and television … Continue reading Robin Redbreast – Play For Today (1970) – James MacTaggart (BFI).
The third volume of the BBC Ghost Stories, restored and released by the BFI, is perhaps the darkest set of stories to come out of television adaptations yet. This release sees the last of Lawrence Gordon Clark’s screen transformations of the stories of M.R James before the director went on to adapt stories by the likes of Charles Dickens and even commission entirely new tales … Continue reading BBC Ghost Stories Volume 3 (Lost Hearts, The Ash Tree, The Treasure Of Abbot Thomas) – BFI