Like the work of sculptor Andy Goldsworthy, Richard Long’s work immediately asks an intriguing question: which part of the work is the official segment of “art”?  Is it the very process of making it and performing which constitutes the work or is it the documentation of such a process?  It needn’t be such a binary state of affairs; the two potential options have a fluid … Continue reading Responses: Richard Long’s A Line Made By Walking (1967).