Part 1. Part 2. Part 3. Part 4. When approaching a cinematic portrayal of Richard Strauss, Russell is, for the first time in his biographical canon, openly honest about its position within cultural texts. Dance of the Seven Veils has a sub-heading that reads "A comic strip in 7 episodes on the life of Richard … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 5 (Dance of the Seven Veils).
Part 1. BBC Monitor and the Use of Audio-Visual Form as Musicological Comment. The medium that Russell first gained traction in was not in fact film but in television documentaries. The flop of his first feature film, French Dressing (1964), marks the advent of his daring creativity entering into his work as television director; a … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 2 (Monitor and Bartok).
The Russell Prism: How Ken Russell's Auteuristic Aesthetics Presents a Reception Study of Classical Music and its Composers. The following essay was a dummy-run dissertation for my Masters course before realising that the subject had already been covered thrice in audio-visual academia. Though none of three essays analyse or go into the depth of the … Continue reading A Musicological Study of Ken Russell’s Composer Films – Part 1 (Introduction).
Article originally published in New Empress Magazine. Being old and generally more battered, silent horror has the unnerving sense of being a genuine piece of documentation. No doubt unaware of it at the time, Benjamin Christensen’s Häxan: Witchcraft Through The Ages (1922) is a film that so embodies this accidental aspect that viewing it perhaps recalls … Continue reading A Brief History of Occult and Folk Horror.